Mi nostalgia no define la persona que queiro llegar a ser
There was once a group of Peruvian anarchist poets forced into hiding who, during their secret meetings, sought to assume a non-human identity. Drawing on the famous Persian fable of the same name, the filmmaker translates the power of poetry and friendship into images and sound, serving as def iant stances against the established order.
Desmayo Largueta
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
Quisiera no estar borracho para decirte lo que siento sin sentirme raro por ser humano
Valentina seeks refuge from the incessant waves of her mind in the pages of her upcoming poetry book Lapislazuli, trying to keep her life from slipping away like sand through her fingers. With words from her poem Citrino, we journey through a range of emotions and feel the ups and downs of her Borderline Personality Disorder.
Su vertical nos retiene
Pegadas de zila
Portugal, 1975. A time of rough changes. A young gay artist trapped in a small seaside town ran by communist winds. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after the fall of Portugal's dictatorship system, the country is not yet ready for his love story.
La palabra dicha y dichosa
Cecilia arrives in Guadalajara for the first time to study at the Faculty of Literature and become a writer. There she meets Nicolás and Aristeo, young men who claim to be the founders—though in reality the only members—of the Underground Ultraism, a literary movement that aims to change Mexican literature. Through them, she meets Pita, an irreverent and openly bisexual poet with whom she forms a genuine bond. Cecilia finds a new sense of belonging in this group, until the friendship holding it together begins to fracture under the weight of envy.
Drinking, partying, shredding BLACK METAL. This is the way of the ROAD. In this documentary experience exclusive footage of Mordhau and WarCastle's EAST COAST ONSLAUGHT! This documentary contains live footage of three shows along the bands tour route and raw interviews all shot and edited by Monzer "Maky" Kotob of Bughead Media.
Kogis – Ensemble pour soigner la Terre
A look behind the scenes that unites puppets, giant screens and the passion of the 31 Minutes: One Hot Christmas team, who achieve magical things.
Michael 'Mini' Cooper is a child who cannot stop setting fire to things. The young arsonist has been deemed not safe to be out in society, and the hunt is on for a suitable institution.
This film documents the festivities and different stages of an initiation ritual of a Balanta community in Guinea Bissau. The filmmaker Sana na N'Hada, belonging to that same community, at the time of the film production was himself not initiated. Many years later Sana na N'Hada finally experiences the process through Fanado, what produced the acknowledgement of a personal conflict with his own film: the modernist ethnological look casted upon the events, articulated with his comments in the French language contrasts with the ungraspable, implicated in the opacity of those practices.
Born into a family of actors, Françoise Dorléac, Catherine Deneuve's older sister, began her career at the age of 15. She shone a few years later alongside Jean-Paul Belmondo in "L'Homme de Rio". From there, a great international career is announced to the young actress. But in 1967, a few months after filming the "Demoiselles de Rochefort" with her sister, she died tragically in a road accident, at the age of 25. Nevertheless, she leaves behind an abundant career and thus continues to be present in the minds of cinephiles.
Host Alexis Conran explores parking fines and shares how to avoid getting one.