Valentina seeks refuge from the incessant waves of her mind in the pages of her upcoming poetry book Lapislazuli, trying to keep her life from slipping away like sand through her fingers. With words from her poem Citrino, we journey through a range of emotions and feel the ups and downs of her Borderline Personality Disorder.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.
Desmayo Largueta
Mi nostalgia no define la persona que queiro llegar a ser
There was once a group of Peruvian anarchist poets forced into hiding who, during their secret meetings, sought to assume a non-human identity. Drawing on the famous Persian fable of the same name, the filmmaker translates the power of poetry and friendship into images and sound, serving as def iant stances against the established order.
Portugal, 1975. A time of rough changes. A young gay artist trapped in a small seaside town ran by communist winds. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after the fall of Portugal's dictatorship system, the country is not yet ready for his love story.
Cecilia arrives in Guadalajara for the first time to study at the Faculty of Literature and become a writer. There she meets Nicolás and Aristeo, young men who claim to be the founders—though in reality the only members—of the Underground Ultraism, a literary movement that aims to change Mexican literature. Through them, she meets Pita, an irreverent and openly bisexual poet with whom she forms a genuine bond. Cecilia finds a new sense of belonging in this group, until the friendship holding it together begins to fracture under the weight of envy.
La palabra dicha y dichosa
Pegadas de zila
He's one of America's most cherished myths... and one of its most wrong-headed. America's Robin Hood who robbed not only the rich but the poor and defenseless as well, always saving the treasure for himself.
Celebrated as one of the masters of the short story, Frank O'Connor was also an important translator of classical Irish poetry. Cork poet and writer Liam O'Muirthile tells O'Connor's forgotten story. He argues you cannot understand O'Connor's voice in English without understanding his natural writing voice, which is rooted in Irish.
A look at Sather's life and comic career and the impact his death had on his friends, family, and the greater world around him. We get comments from Stiller, Gallen, Wilson, Ferrell, and filmmaker Judd Apatow. We get some thoughts about Sather - the character co-creator who died in 2004 - as well as the development of Zoolander.
Portrait of Charles Trenet. Twenty years after his death, this documentary offers a new look at the artist. When, in 1956, the singer appeared on television, he was 43 years old. And it is a man of 60 or even 70 years old that today's audience has known. The first Charles Trenet, the one who transported France when he was 25 or 30 years old, remains largely unknown. Yet it was this kid of genius who, at the age of 25, invented French chanson. But the archives that are scattered throughout this portrait also show that he invented a certain idea of joy. For joy in Trenet was a sport, a daily gymnastics.
MOULOUD GAID
Like it or not, porn is here and it is harmful. In this controversial film, award-winning filmmaker Justin Hunt dissects the impact of pornography on societies around the globe, from how it affects the brain of the individual, to how modern technology leads to greater exposure to youth, to watching it literally tear a family apart. In what may well be one of the most devastating issues in modern culture, this film will break down the damage that porn is doing to us a human race and leave you thinking that it's clearly time that we start taking porn addiction a bit more seriously.
Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.
A biographical drama that profiles the life of Hal C. Banks, a controversial American labour union leader, who came to Canada in 1949 to lead a violent fight against the rival communist shipping union. He once ruled the Canadian shipping industry, but his brutal tactics would bring his downfall.
In a revealing documentary, Mike Leigh, director of Secrets & Lies, Vera Drake and Abigail's Party among many others, talks to Alan Yentob about a unique body of work and a lifelong struggle to make films on his own terms. On day one of a Mike Leigh film, there is no script, no story and the actors do not know if they will even be in the final film. It is a process that has yielded some of cinema's most celebrated performances, and Leigh's new film Mr Turner is already winning critical acclaim. Actors including Jim Broadbent, Eddie Marsan, Sally Hawkins, Lesley Manville and James Corden give fascinating insights into the director and his distinctive method of working.