Betty Boop's Hallowe'en Party

After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.

New Jersey teen Daniel LaRusso moves to Los Angeles with his mother, and soon strikes up a relationship with Ali. He quickly finds himself the target of bullying by a group of thugs, led by Ali's ex-boyfriend Johnny, who study karate at the Cobra Kai dojo under ruthless sensei John Kreese. Fortunately, Daniel befriends Mr. Miyagi, an unassuming repairman who just happens to be a martial arts master himself. Miyagi takes Daniel under his wing, training him in a more compassionate form of karate for self-defense and, later, preparing him to compete against the brutal Cobra Kai.

In this animated short, a terrible curse deprives Balthasar's kingdom of its stories. Taking the unicorn's horn back into The Belly of the Earth is the solution. Poppety will lead an expedition, by chance uncovering a hitherto closely guarded family secret.

A former Sing Sing inmate, accidentally robs and is held captive by his old shrink Dr. Beck, an ex-criminal psychologist turned librarian after the murder of his wife and son, who interrogates the intruder as though it were one of their sessions turned awry.

Yim and his imaginary friend Yoyo have the most wonderful adventures together. But what happens if Yim can make a real friend?

Mickey's friends throw him a surprise birthday party at Minnie's house. The chef brings out the cake (with 2 candles); Mickey manages to blow all the cake onto the chef's face, while the candles stay lit. He unwraps his present: a miniature piano. He plays a duet of I Can't Give You Anything But Love, Baby with Minnie, followed by an instrumental version of The Darktown Strutter's Ball, which everyone dances to (including Mickey and Minnie, while the piano stools keep playing). Mickey then plays There's No Place Like Home on the xylophone, then accompanies Minnie on another piece, after which the xylophone gets frisky and eventually dumps Mickey in the fish bowl.

In a sleepy mountain town, Cindy witnesses the murder of her parents by a blood-thirsty green figure in a red Santa suit. Twenty years later, the Christmas-hating monster begins to terrorize the town once more. Cindy finds new purpose in stopping the creature and saving the holiday.

Second Wind

When Fannie offers her father to cut his hair, he accepts. Alain knows that his daughter will do it carefully and thoroughly, as usual. But an outside incident change their plans and confront the precariousness of this shared moment. The cut tells the story of a father and a daughter, between proximity and detachment, for the moment of an haircut. -Written by Colonelle films

Tom subjects Jerry to his usual harassment; but the cat finds a new enemy, and the mouse finds a new friend, in the canary of the house.

Mammy Two-Shoes replaces Tom with a younger cat who is a lightning-quick mouser. Tom and Jerry form an alliance in order to get rid of this dangerous newcomer.

Tom is given the task of guarding the fridge during the night by Mammy-Two-Shoes, but as soon as he has started he is tricked by Jerry into falling into the basement, where he lands in a barrel of cider. Now drunk, Tom staggers around in the house getting up to no good with Jerry.

Jasper is given an ultimatum by his master: break one more thing and you're out. Rodent Jerry does his best to make sure that his tormentor "gets the boot".

Jerry is awakened from a nightmare by a knock on the door: someone has left a foundling in a walnut shell with a note, giving his name as Nibbles and saying he needs lots of milk. Fortunately, there's a dish handy, but it's next to Tom. Nibbles scurries out and dives off Tom's nose, then grabs a whisker for balance, waking Tom up. Jerry grabs him just in time and they hide under the milk. Tom laps up some milk and gets Nibbles; Jerry rescues him, and they run for the hole. Next, they try a very long straw; Tom catches them and sucks Nibbles through the straw. Much chasing follows, with a pause now and then for some milk. Tom traps Jerry in a milk bottle and chases Nibbles a while; he finally corners Nibbles and spanks him with a flyswatter. Jerry is so enraged he burst out of the milk bottle and lets out a ferocious roar; he grabs Tom by the tail and thoroughly pummels him, then stands over him as Tom feeds Nibbles milk.

Tom's advances on a young jive-talking girl cat get nowhere; nowhere, that is, until Tom gets a zoot suit. Armed with his miles of fabric and a new cool lingo, Tom still has to deal with the tricks of his nemesis, Jerry.

Mammy Two-Shoes threatens to throw Tom out of the house if he makes a mess. Jerry sees an opportunity to rid himself of his feline nemesis.

Tom's day at the beach doesn't start out well. First he gets his swimsuit caught in the door of the beach house, and doesn't realize it until his intended dive in the ocean sends him snapping back and crashing through the door. He runs out and tries again. This time he is so determined to jump in the water that when he does so, he doesn't notice the tide is out and that he is swimming in the sand, which is filled with broken bottles, tin cans and other debris. Later, he tries to win over a beautiful girl on the beach, but, being the boor he is, he annoys her by drinking her soda pop, eating her hot dog and munching loudly as he lays his head in her lap. Suddenly, a tomato flies through the air and lands on his head. So does a banana peel. Tom looks for the culprit and finds him in the girl's picnic basket. Jerry is inside, eating what he wants and tossing out the rest...

Mammy Two-Shoes tells Tom and Butch that the cat who gets rid of the icebox-raiding, breadbox-invading mouse (Jerry) is the one who can stay.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

One of Otto Messmer's most unusual Felix cartoons. It portrays Felix as an inebriated feline being chased by all kinds of demons only to be welcomed by the greatest demon of all, the angry wife.