Brother Mary

Lucy has a social media channel where she hunts evidence of actual monsters, but it’s not doing great, with just a few viewers following her disappointing posts. Everything changes on Christmas Eve when her camera witnesses Santa getting bitten by a werewolf before he turns lycanthrope himself! As Werewolf Santa starts wreaking bloody havoc in their seaside town, Lucy and her bickering family set off on a madcap adventure armed with a rusty skate and a vague understanding of how to kill werewolves gained from her collection of horror comics. The Beast must die to save Christmas!

Office boy Bill encounters a group of anarchists and inadvertently involves one of them in a scheme to open a safe. The "W.W.W.'s" stands for "We Won't Work", a comedic take on the real-life labor movement, the Industrial Workers of the World (IWW, or "Wobblies").

1925 Mack Sennett Comedies production three-reel short.

Sippy takes Leander on a hike over the woods to a big tree to show Dre that she's responsible.

Pulsar

When a well off man from the city arrives in a hick town to woo a wealthy widow, he encounters first an ornery model T ride to the shabby hotel, then his rival for the widow as they go on to a local fair. tempers flair and a challenge to a boxing match is met.

A stubborn English tourist visits a Norwegian hotel with a vending machine and a sign with the text "No Coke". Based on true events.

When Ty makes the biggest mistake of his life, will it be possible to fix it? Or will he be forced to finally accepted the consequences of his action?

Set within the embrace of an intimate group of friends in college, Ace follows the emotional journey of a shy newcomer who discovers an attraction to longstanding group-member Z that he can neither ignore nor fully embrace. As the connection between Ace and Z intensifies, so to does the silence that both illuminates their fears and fuels their insecurities. Though the attraction between them appears unmistakable, their inability to acknowledge and express their feelings for each other openly threatens to sever the powerful bond that draws them instinctively to each other.

Nikola is about to join his girlfriend at her father’s house for a summer holiday, but after wearing makeup for the very first time, he begins a startling and life-changing process of self-discovery.

A mix-up results in a normal man becoming a dentist.

Over a devastating night, a couple grapples with memories from the Gulf War.

A grieving woman discovers an app that offers an unconventional method for alleviating her pain.

Guide and Good are at a club when Guide starts reminiscing about an ex. He then finds himself bumping into a stranger and has a strong urge to kiss him.

Comedians Facu Díaz and Miguel Maldonado, along with filmmaker Nacho Vigalondo as host, tell the brief story of “No te metas en política,” a Spanish late-night talk show that was broadcast online between 2016 and 2019.

A Man and a Woman were smoking together on the side of the road. They were arguing in an emotionless voices. As the night went, a hidden secret was revealed.

Anna, a 10-year-old girl, runs away from home after an argument with her mother and finds herself being pursued by Shocker. After managing to hop onto DenLiner, the train that crosses time, she gets off in 1989 and has a great adventure with Momotaros and others.

Jose is an obsolete man who owns an obsolete business. His store, a technical reparation center that made him feel alive when he was young, it is going to close very soon. One of his last work days, Jose receives the visit of a strange customer.

Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.

On the Day of the Dead, a 10-year-old kid anxiously awaits a visit from his grandfather from the afterlife to finally meet him