The Familiar Shadow

Fifty-year-old F.P. arrives at a seaside resort. He wants to commit suicide. He has a family, money, and yet a growing aversion to life. As he begins to write a farewell letter to his wife, the ghost of his father, who committed suicide, appears. He tries to dissuade his son from killing himself.

A melancholic weather broadcaster rediscovers her past at her familial home on her 28th birthday; the day of her suicide.

Anônimo e incomum

A con artist seduces the widow of a millionaire, only to learn she'd plotted with her lover to murder the late husband. A tense game of cat-and-mouse ensues—but who's the cat?

Pillai, a moneylender, encounters a predicament when his younger brother falls in love and marries a girl from the rival family. Though his brother joins hands with his in-laws, Pillai fights back.

A fisherman saves a suicidal Unni, only to sell him to a Punjabi moneylender in Kerala. Unni is then forced to pose as a man with hearing and speech impairment, resulting in hilarious consequences.

An innocent college couple unknowingly become involved in their Professor's illicit research into the manipulation of love and his recreation of the elusive "Cupid's Arrow".

Comedy about newlyweds wondering if their marriage was a mistake.

When is enough...enough? Pyper Blevins has been bullied by Natalie Coleman since she was five years old. Her bullying comes to a climax in their senior year of high school when a tragic event alters their lives forever.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

Portrait of the last days of a girl with depression.

Engel und Puppe is the first film by Italian filmmaker and writer Ellis Donda. Screened at Oberhausen in 1975, Engel und Puppe is a political adaptation of some lines from Rilke's Duino Elegies, featuring the French poet Jacqueline Risset and a young Rossella Or (soon to become an avant-garde theatre actress).

An unusual story about the crossing paths of the poor Italian family of the sculptor Giovanni (Lon Chaney) and a reckless American millionaire, Cyrus Kirkham (Gilmore Hammond).

Unicorn Human Disease is an extremely rare phenomenon in certain traditional societies. Research indicates that this disease is typically caused by feelings of isolation and the repression of personal sexual instincts, with the most prominent symptom being the growth of a horn on the patient's forehead.

A young man discovers the reason his new bride killed herself.

People

A starry-eyed actress with a troubled past faces her harshest critic during an interview gone wrong.

Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.

In a futuristic New York known as New Rome, visionary architect Cesar Catilina dreams of building "Megalopolis," a utopian city that redefines society’s limits. Opposing him is the corrupt Mayor Franklyn Cicero, who clings to power and profit. Between them stands Julia, the mayor’s daughter, whose love for Cesar forces her to choose between loyalty, ambition, and the fate of humanity.