Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.
Through post-porn, performance and wrestling, Puck tries to figure out her place in the world.
A young Native American man on his way to visit his uncle learns about his Navajo heritage by attending tribal gatherings, traditional ceremonies and listening to old folktales.
A minor disagreement between neighbors in Florida takes a lethal turn, with police body camera footage and interviews probing the aftermath of the state's controversial "stand your ground" laws.
An exploration of the unique culture of Newfoundland's outports, the film revisits the PR coup that launched the animal rights movement onto the international stage: the 1977 Newfoundland visit, orchestrated by the International Fund for Animal Welfare, of French actress turned animal rights activist Brigitte Bardot to protest the area's ancestral sealing activities. Soon, inhabitants of the island's northern outports we're being introduced to the world as the epitome of brutality.
"This wonderful age in life where every thought strives toward an ideal, toward work, toward the future." Sahia Studios propaganda flick about how adults and their "those darn kids" attitudes affect adolescents.
A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.
This documentary portrait is the first to celebrate the only American member of the French Impressionist school and the first American woman to become a famous painter. 'Mary Cassatt Impressionist From Philadelphia' is not only a biography of the artist’s life and work; the film sees both in the context of the status of the woman painter in Victorian America in the second half of the 19th century.
A short 1977 documentary about the originator of the ragtime rhythm.
In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.
Filmmaker Stephanie Wang-Breal sets out to cross the generational divide, confronting long-simmering tensions with her Chinese immigrant mother by literally becoming her. Dressing in her mom’s iconic St John Knit power suits and re-creating her 1980s local TV cooking show, Stephanie becomes Beta-Florence, a radical reinterpretation of Asian-American identity.
Two young women in the world – a reunion weekend in Melbourne. Em’s on a break, Jessie’s always been chill. Dialogue like a babbling brook, sweet, smart, banal to heavy and back again, honest and unafraid of pathos. A generation of happy wounded souls.
Tuna are among the top predators in the oceans. But the hunter is also the hunted: many species are overfished. Can we use the riches of the oceans without destroying them?
Short film about the 400th anniversary of Augsburg, Germany
Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.
"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.