La Vuelta- Memorias de Villa Gesell.

A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.

Grata

Buenos Aires, 1994. Memé Tizou is a famous vedette whose name shines brightly on the marquee of Corrientes Avenue, at least until the show’s producer, Armando, announces the decision to hire a younger woman. This decision leaves Memé confronted with a challenging question: what is she capable of doing to prove her place belongs on stage?

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients, but nothing is what it seems. How far are we willing to go to survive?

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Paloma is a young adult who finds herself living in automatic mode, following every imposed social norm, already working in an office and living alone in a studio apartment. Her daily life passes fleetingly and with little taste, until one night, after a long day of work, she receives an email titled FOR MY FUTURE SELF, which prompts her to change her life.

SANTA FE ROCK

In the 1920s Horacio Coppola studied modern languages, photography and film, set up the first cinema club in Buenos Aires, and travelled to Italy, France, Spain and Germany, where he trained with the Bauhaus photographer Walter Peterhans. After visiting Vienna, Budapest and Prague, still hotbeds of secessionist art, Coppola returned to Berlin and made the experimental film Traum (Dream, 1933) with the theatre director Walter Auerbach, a nice short influenced by the French & German surrealists.

Tiempos circulares

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

Out of work, Diego has only one goal: to return to live in the Capital no matter the cost. After leaving his family in Delta del Tigre, he becomes an obsessive salesman inside a building's showroom: a perfect model that will lead him to experience absurd situations on the verge of madness.

Ceremonia secreta

It is the story of Eleanor, a good housewife who lives with her husband, Fernando, and their two children. Deeply loves her husband and does not question the reciprocity of love and fidelity. One day, circumstantially, discovers her husband is cheating. Leonor emotionally feels betrayed and realizes that his world, based on a lie, has collapsed like a house of cards. With more fear than conviction, leaving the house, leaving little signs with instructions for their march and trust their children to the care of her husband.

Pata Marsilla was at the former nightclub when the tragedy of Cromañón (2004) happened in Argentina. Although he was only seventeen years old, he remembers every step he took that night. His words come alive through a recreation of how a concert turns into horror.

The life and work of Guido Buffo, an artist and scientist whose passion for knowledge and art is intertwined with his love story with Leonor. Through a journey through key moments in his life, the short film explores his vision of the interconnection between art and science, as well as his profound love for his wife and daughter, who inspire him to build an enduring legacy: his chapel in the Córdoba mountains.

Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.

The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.