La Vuelta- Memorias de Villa Gesell.

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients, but nothing is what it seems. How far are we willing to go to survive?

As the day begins, a woman sets out to go about her routine, until she decides to take her children to the cemetery to see zombies. When she returns home, this interruption in her day will leave her with a strange and magical feeling.

Tiempos circulares

A retrospective of a number of UFO cases in Argentina.

Paloma is a young adult who finds herself living in automatic mode, following every imposed social norm, already working in an office and living alone in a studio apartment. Her daily life passes fleetingly and with little taste, until one night, after a long day of work, she receives an email titled FOR MY FUTURE SELF, which prompts her to change her life.

A lo Mejor Algún Día

Fugacidad

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

In the 1920s Horacio Coppola studied modern languages, photography and film, set up the first cinema club in Buenos Aires, and travelled to Italy, France, Spain and Germany, where he trained with the Bauhaus photographer Walter Peterhans. After visiting Vienna, Budapest and Prague, still hotbeds of secessionist art, Coppola returned to Berlin and made the experimental film Traum (Dream, 1933) with the theatre director Walter Auerbach, a nice short influenced by the French & German surrealists.

The life and work of Guido Buffo, an artist and scientist whose passion for knowledge and art is intertwined with his love story with Leonor. Through a journey through key moments in his life, the short film explores his vision of the interconnection between art and science, as well as his profound love for his wife and daughter, who inspire him to build an enduring legacy: his chapel in the Córdoba mountains.

Ceremonia secreta

Hoy Como Ayer

For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.

Out of work, Diego has only one goal: to return to live in the Capital no matter the cost. After leaving his family in Delta del Tigre, he becomes an obsessive salesman inside a building's showroom: a perfect model that will lead him to experience absurd situations on the verge of madness.

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.