Les Glucksmann, une histoire de famille

In the heart of Delhi, Sudha, Manu, and their daughter Veena lead a seemingly ordinary life, yet an unspoken distance lingers between Sudha and Manu. When Veena’s curiosity about her father’s monthly ritual unearths an old love letter, Sudha is confronted with a story of lost love and unanswered emotions. Determined to seek closure, mother and daughter set out on a journey to find Manu’s past love, leading to a poignant reunion in a familiar park. As past and present collide, the family discovers unexpected healing, revealing the delicate complexities of love, time, and human connection.

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.

An "Ock-umentary" exploring the character of Doc Ock and the way he as well as his tentacles were brought to life on the silver screen.

Two brothers, separated by time and prison bars, reestablish contact. Inspired by James Baldwin's short story, 'Sonny's Blues.'

Using newly uncovered historical documents, this documentary short pieces together the most complete and accurate account of the life of Viro Small ever told. Nicknamed "Black Sam of Vermont" for his ties to the Green Mountain State, Small was a pro wrestling pioneer who reached the height of his notoriety in 1880's New York City.

A documentary that explores the myth behind the truth. Different people around the globe reinterpret the legend of Che Guevara at will: from the rebel living in Hong Kong fighting Chinese domination, to the German neonazi preaching revolution and the Castro-hating Cuban. Their testimonies prove that the Argentinian revolutionary's historical impact reverberates still. But like with all legends, each sees what he will, in often contradictory perspectives.

70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

Based on the memoir by Indian policy analyst Sanjaya Baru, The Accidental Prime Minister explores Manmohan Singh's tenure as the Prime Minister of India, and the kind of control he had over his cabinet and the country.

Debunking the mythology surrounding the 16th century French prophet, Nostradamus.

In 26 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.

A traveling theatre troupe tours the Greek countryside from 1939 to the early 1950s, staging “Golfo the Shepherdess”. As the years pass, its members endure persecution, betrayal, executions, and exile. Their personal stories become entangled with the country’s major historical events, in a seemingly endless cycle of violence and loss.

Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.

Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.

A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.

They come from all walks of life and have lived for almost a century. They have lived through the upheavals of history. They are funny, moving and rebellious. They surprise and amaze us. Yet we rarely hear their voices. This film is an invitation to travel across France and meet them: the Old People.

In turn of the century London, a magical nanny employs music and adventure to help two neglected children become closer to their father.

Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”