Inyoku no Uzuki

Based on a 2016 novel by Mana Sakura, “The Lowlife” shows the stories of three women who work in Japan’s adult video industry.

A house infested with ghosts. 25-year-old Reiko is toyed with by an evil spirit every night and ascends to heaven. She requests an exorcism investigation and meets a woman. The exorcism hunter is led to the room where the ghost is found, where she encounters something unexpected. Then the blue man's arm suddenly disappears. When she sees him again, an abnormal sensation of a mixture of fear and pleasure awaits... A sex spirit is coming to violate me! What is the secret of the horrifying sex ghost...?

Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.

Adult video with teacher theme.

A storm of abuse that continues without rest...

The moment the 180-day abstinence life was released, the woman's body became a sex toy craving pain...

Hikari, a prostitute, arrives at the designated location requested by a client. There, a man wearing a gas mask and holding a rope is waiting for her...

"This world of porn exists to make everyone happy," says Touru Muranishi, 49, Japan's leading pornographer. Acting as producer, director, cameraman and star, his motto is 'real sex with real women in real places'. Despite Japan's stringent censorship laws, Muranishi has been phenomenally successful, making and broadcasting 15 films a month on his own satellite channel. His 'documentary' porn films provide a fascinating insight into male chauvinism in the land of the geisha girl. Heavily made-up glamour models are a definite turn-off. Instead, the women should have the face of a 'princess' and the body of a whore. But despite Touru's insistence on 'real' sex, his films show that in Japan, as in the rest of the world, adult videos reveal male fantasies, not female desire.