shadow pups 1 & 2

'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.

An experimental short film made as part of a multi-media triptych, originally screened alongside a fashion collection and an art-installation. Drawing from Papa Yorick’s (Director and fashion designer) thesis “Men Are My Cumrag”, the film reenacts eight mainstay gay porn scripts, incorporating and parodying tropes and clichés, that explore masculine identities within the gay porn industry, through a satirical and critical lens.

Human hands can be both destructive and healing, Jeffrie Po suggests in his experimental film with spiritual outreach. He portrays a human being as a faun who roams the jungle dauntlessly, yet is destructive. The forest with vanishing cattle becomes a battlefield between dark powers and the power of salvation.

If the fly eats the flower, does the fly become the flower?

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

An immigrant's last attempt to restore childhood innocence on strange lands.

Lasting over thirteen hours, Claerbout's film shows two men engaged in a discussion against the back-drop of a neoclassical house in southern France. An act of violence is repeated and re-enacted more than seventy times over the course of the film. Dissolving the boundaries between photography and film, Claerbout’s work puts into question the reassuring stillness of photography and the inevitable narrative progress of the cinematic image.

The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.

A dark-haired woman is standing still in front of a camera. Her long hair is floating in the wind.

A fragmented look into the memories of two strangers from the same hometown, brought together through a university project.

A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.

Dangling from a high window, a young non-binary person is on the cusp of life and death. Flashes of film, literature, art (paintings) and cultural history pass them by, as if to tell a message. A postmodern treatise on connection to culture and the past.

This singular 6-part essay film on the history of the state of Rhode Island illustrates the adage that the universal is best reached via the particular: the very local issues investigated in the film blossom into a body of insights and speculations extending far beyond the borders of any region. 'monument' weaves statues, plaques and place names together with the routine movements of everyday life. Readings from history books, monologues from a fictional tour guide, and personal home movies are paired with interviews relating to the Colonial Era, the Slave Trade, the American Revolution, the Industrial Revolution, Indigenous Cultures, the Abolitionist Movement, Organized Crime, Urban Planning, Capitalism, Baseball, Ancient Geology, and Apple Pie. Over time stories overlap and voices converge to create a dynamic, multi-layered temporal x-ray, challenging the objectification of history with the animism of storytelling.

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

A personal and experimental home video filmed in 2003, documenting a family trip to Calella from the filmmaker’s point of view. The footage captures everyday moments, later transitioning into scenes of family life and ending with a striking contrast between children’s innocence and a troubling news event on television.

A short experimental film about dementia.

During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.

Could film gelatin, a 16mm film camera, 3 lenses and film developing chemistry experimentation act as messengers between the spirit and the physical world? a one day trip to the remote town of Panguipulli (Chile) seeks to explore possibilities and to also expand on the power of audio frequencies as a healing instrument. A manifestation of the hummingbird movement? A connection between mind, landscape, sound, latent image? A replication of Rukapillan volcano’s intermittent flows of magma through fissures on the earth’s surface? -Colibri- erupts 16mm single frame experiments & bursts smoke and sonic healing vibrations

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.