Mon grand-père et la guerre d'Algérie

“Fear AI!” – “ warns Elon Musk back in 2014, joining other opinion leaders like Steve Wozniak, Noam Chomsky and Stephen Hawking in backing a petition against the development of autonomous weapons. As Vladimir Putin stated in 2017, “Whoever leads in AI, rules the world.”

Born on March 25, 1840, Gustave Guillaumet discovered Algeria by chance when he was about to embark for Italy. Over the course of his ten or eleven trips and extended stays, he established a familiarity with this space. Traveling through the different regions from north to south, he never ceases to note the differences. He is also the first artist, apart from Delacroix's Women of Algiers, to penetrate into female interiors and reveal the reality, far removed from the harem fantasies that reigned in his time. Fascinated by the country, its deserts and its inhabitants , going so far as to live like the Algerians, Gustave Guillaumet devoted his life and his painting to this country, breaking with the colorful and exotic representations of the time. The painting The Famine in Algeria, restored thanks to exceptional fundraising, was dictated by the events of the years 1865-1868, and well illustrates his knowledge of the country, in a manner that is at once demanding, sensitive and serious.

Orientalism is a literary and artistic movement born in Western Europe in the 18th century. Through its scale and popularity, throughout the 19th century, it marked the interest and curiosity of artists and writers for the countries of the West (the Maghreb) or the Levant (the Middle East). Orientalism was born from the fascination of the Ottoman Empire and followed its slow disintegration and the progression of European colonizations. This exotic trend is associated with all the artistic movements of the 19th century, academic, romantic, realistic or even impressionist. It is present in architecture, music, painting, literature, poetry... Picturesque aesthetics, confusing styles, civilizations and eras, orientalism has created numerous clichés and clichés that we still find today in literature or cinema.

Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous.

On January 8, 2020, Ukraine International Airlines Flight 752 went down as it was leaving Iranian air space. All 176 people on board were killed, many of them Iranian Canadians. For weeks Iranian authorities vociferously denied responsibility, but foreign governments and agencies were certain the plane was shot down by Iranian military, a fact Iran’s government eventually admitted. There were no answers as to why the plane was fired on or even why it was allowed to take off, since hostilities had broken out in the region in preceding days.

In the aftermath of war, an extraordinary professor brings hope to children haunted by trauma-induced nightmares.

Since August 2024, in Martinique, a popular protest movement against the high cost of living has been reemerging under the leadership of the RPPRAC (Rassemblement Pour La Protection Des Peuples Et Des Ressources Afro-Caribéens – Gathering for the Protection of Afro-Caribbean Peoples and Resources). On the island, food prices are on average 54% higher than in mainland France.* Through various cultural figures, the people of Martinique are expressing their anger and seeking concrete solutions. *Source: Kiprix, Price comparison between supermarkets in the French overseas territories and mainland France.

In this documentary, Alex trusts his twin, Marcus, to tell him about his past after he loses his memory. But Marcus is hiding a dark family secret.

A history of the American War of Independence.

As the peaceful and determined Hirak movement gathers momentum and hopes for profound political change sweep across Algeria, women are combining femininity and feminism in the past, present, and future.

Breaking Ranks: Inside Israel’s War presents the first-hand recollections of IDF soldiers who have broken official silence to share their experiences of the war in Gaza - accounts that may raise serious questions about conduct on the ground and potential breaches of international law. Directed by award-winning filmmaker Ben Zand, the film features exclusive interviews with Israel Defense Forces (IDF), reservists and veterans - many speaking for the first time - who served during the war in Gaza. Their testimonies describe what they recall as indiscriminate bombardment, instances where Palestinian civilians were used as human shields, and an operational culture that some soldiers characterised as “no innocents in Gaza.”

It's spring 2022, and Russia has begun its invasion of Ukraine. In Kyiv, we meet the rock musician Artem, who with only 14 days' notice could be sent to the front lines. Right now, however, his focus is elsewhere. He is preparing for a charity tour in Denmark.

A documentary about a lost generation of young Russians: arriving from places all over Russia, they now live in an improvised private shelter in Tbilisi in Georgia: a student couple, a singer, a journalist, a Navalny activist, a gay blogger, and former politician. They are ordinary citizens who had never considered emigration. They do not belong to the famous avant-garde resistance but are still committed to an open and democratic civil society. In the last six months, 500,000 Russians are said to have left Russia. They are threatened not by tanks or missiles, but by the regime's ever-increasing repression, which hits any criticism of the war and any form of civic activism. Forced to leave their homeland by Putin's war, they live as digital dissidents searching for a new home.

In the polyphony of voices, a search for home unfolds. What is home? What is its purpose? Is there anything bigger than home? What are the sounds, colours, and smells that let it live in our memory? The collective and the individual is expressed through the voices of those who lost it in the Russian war in Ukraine. Associations, memories, meanings: four letters, four hundred things between them — home.

Easy Company, the 2nd Battalion of the 506th Parachute Infantry Regiment of the 101st Airborne Division, fought their way through Europe, liberated concentration camps, and drank a victory toast in April 1945 at Hitler's hideout. Veterans from Easy Company, along with the families of three deceased others, recount their horrors and victories, bonds they made and the friends they lost.

After forty years of fighting Moscow, Washington won the Cold War, and NATO found a way to expand eastward; however, there was one loose end to the problem: Yugoslavia was not a satellite of the USSR…

In Tamazight culture, "Twïza" symbolizes a gathering for sharing and mutual support. This is precisely what Thibault Dion's film explores – January 2019 – as five French climbers land at Constantine airport. While they initially thought they would simply be opening climbing routes in eastern Algeria, this group of climbers from Grenoble discovers much more. Their initial apprehension about exploring this isolated region, coupled with the warm welcome, good humor, and rich culture, transforms their journey into an unexpected human adventure. Fabulous landscapes, thrilling experiences, unforgettable moments, smiles – beyond borders, in the land of friendship and hospitality... Algeria.

Using unpublished photos taken by Italian war photographer Enrico Sarsini, and the reconstruction of key events, this film examines the battle for a strategically-located church that was defended by Azerbaijani teenager Natig Gasimov. After his surrender and interrogation by Armenian forces, he was never heard of again. This film finds out what happened to Natig and who may be responsible. Filmed over a period of three years, filmmaker Karan Singh spoke to witnesses in Armenia, Azerbaijan, Italy and Russia in his search for the truth.

A sobering look at the brutal treatment of Japanese-Americans before, during, and after WWII as well as the global repercussions that resulted.

“Our memories are marked by smells. Bound together by their olfactory sensitivity, a daughter leads her father to question his family heritage: together they go through their double mourning, that of a grandmother and a childhood in Algeria. How do you face up to the fear of vanishing ghosts?”