We Made Every Living Thing from Water

Des Rives

In 200,000 years of existence, man has upset the balance on which the Earth had lived for 4 billion years. Global warming, resource depletion, species extinction: man has endangered his own home. But it is too late to be pessimistic: humanity has barely ten years left to reverse the trend, become aware of its excessive exploitation of the Earth's riches, and change its consumption pattern.

Something is bad wrong as everyday Americans fight to protect their air, water and blood from pollution.

Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.

Fouad Elkoury's unique journey, between photojournalism and art photography, from his early days immersed in the complex and tragic history of Lebanon and the Israeli-Palestinian conflict, to his travels from the port of Marseille to Istanbul, from Turkey to Egypt, from the 1970s to the present day, punctuated by the photographs that made him famous. An intimate and privileged encounter with one of the greatest photographers in the Arab world, through his personal archives, his travel stories, and his life stories.

Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.

In Guangdong Yangchun, a large number of villagers have been suffering from strokes and cancers after some dangerous heavy metal waste has been illegally discharged in the villages. Artist Nut Brother decides to take action. With his team, he creates a group of Heavy Metal music and plays at sites that have been poluted by heavy metals to raise awareness among the population.

In 2014, the authorities in Flint, Michigan chose to cut costs and change the city’s domestic water supply from the great Lakes to the Flint River. Soon tap water was running brown, people were falling ill and it was clear that something was seriously wrong. Anthony Baxter (You’ve Been Trumped) has followed the situation over six years of denial, evasion, betrayal and hypocrisy in which the city’s poorest residents have suffered the most. The result is shocking and sad as it illuminates the inequalities of the modern world and celebrates the solidarity of ordinary people.

Inhabitants of Beirut talk about their love for the singer Fairuz.

Beyrouth, spring 2020. Is the uprising in Lebanon merely on hold?

Yes, you have to scream louder.

Fall in love with our Avon and the people fighting to protect it, the Bristol way! Rave On For The Avon is a feature-length documentary film that follows campaigners and river lovers through six seasons: their highs and lows, love and loss.

Andean communities fight to protect their water from contamination by mining companies.

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A young journalist is looking to learn and talk with the Lebanese legend, Fairuz.

It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a reservoir dubbed the "Saudi Arabia of natural gas." Halliburton developed a way to get the gas out of the ground-a hydraulic drilling process called "fracking"-and suddenly America finds itself on the precipice of becoming an energy superpower.

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?

Documentary where rich social history frames a spirited debate on the development of water infrastructure throughout the USA.

Kamal Jumblatt, the Master of Moukhtara Castle, recounts the major events of his life until his assassination on March 16, 1977. The film takes us on a global journey from Lebanon to India, in the footsteps of Kamal Jumblatt, the founder of the PSP (Progressive Socialist Party), the leader, the rebel, the reformer, the thinker, the poet, the Yogi … Kamal Jumblatt (1917-1977) becomes the last witness... of his own life.