You Can Thank Me Later

An emotionally constrained view of the displacement of human feelings in our video saturated society. Van regularly visits his grandmother in a run-down nursing home. His father depends on phone sex for guidance meanwhile erasing family homevideos of happier times with homemade pornography. Will Van rescue his grandmother and memories of his mother in time?

Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.

The Herdmans – Gladys, Claude, Imogene, Leroy, Ollie and Ralph – are undeniably the worst kids in the history of the world. They lie, steal, cheat, bully and overall terrorize their small community. But this Christmas, they’re taking over their local church Pageant – and they just might unwittingly teach a shocked little town the true meaning of Christmas.

Wealthy, aging patriarch Thordur assembles his scattered heirs in his remote Icelandic fishing village to discuss the future of the family fishery. But bringing everyone together unleashes a storm of long-repressed dark family secrets.

Pickwick is a British television musical made by the BBC in 1969 and based on the 1963 stage musical Pickwick, which in turn was based on the 1837 novel The Pickwick Papers written by Charles Dickens. It stars Harry Secombe as Samuel Pickwick and Roy Castle as Sam Weller. This television production was based on the stage musical Pickwick which had been a commercial success. It was adapted for the screen by James Gilbert and Jimmy Grafton. The musical had premiered in the West End in 1963, again with Harry Secombe in the lead role. Running at 90 minutes and made in colour, the TV musical again had lyrics by Leslie Bricusse and a score by Cyril Ornadel. The book was by Wolf Mankowitz and it was directed by Terry Hughes. The programme was first transmitted on 11 June 1969 and again on 26 December 1969. One of the better known songs from the score is "If I Ruled the World". The cast of this production differed somewhat from that of the stage musical.

Harry is a 23-year-old former boy band idol who is watching his younger brother Max, 16, follow in his footsteps. Harry has detoured on his way to a Japanese concert tour to escort Max on a long-promised camping adventure. Their trip begins on a note of camaraderie but quickly turns serious as old wounds resurface, forcing them to come to terms with their dysfunctional past--Harry's drinking problems, his disconnection from the family, and, most of all, his relationship with Max and the emotional dependency that keeps them from moving into adulthood.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.

London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.

Eleven-year-old Alexander and his family embark on a dream Spring Break vacation to Mexico City only to have all their plans go terribly wrong when they discover a cursed idol.

Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?

It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.

An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.

When an Italian man comes out of the closet, it affects both his life and his crazy family.

Maryša

Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.

Ibsen's play, adapted to Australia, concerns a couple forced to answer for their daughter's legitimacy.

Tragicomic portrait of a bar's owners and patrons in a poor Montreal neighbourhood.