Le château de mon père

Je m'appelle Régine et je vous emmerde !

A story about 6 kids who grew up together and stayed together, once strangers, then friends, now family. Both a video diary and a travelogue, this coming-of-age film explores the fleeting moments of youth, reflecting on nostalgia, connection, and the bonds that endure as we grow older. A chapter in the story we've been writing since we were kids, these are the days we'll look back on.

Multi award-winning psychological illusionist Derren Brown returns in the recording of his acclaimed live show ‘Infamous’. Featuring Derren at his baffling best with the excitement of a live theatre audience, Infamous includes amazing, provocative, jaw dropping demonstrations of his incredible skills of magic, suggestion, showmanship and misdirection in a must-watch roller coaster of emotions.

The modern history of the Congo, the heart of Africa, is a terrifying tale of appalling brutality: how the greedy and incredibly ruthless King Leopold II of Belgium (1935-1909) turned a vast country into his private estate (1885-1908) and how he plundered the land and raped the bodies and souls of its defenceless inhabitants, causing countless victims; and what exactly is the true impact of this often forgotten story of crime and horror today.

Faced with the reality that her only child will flee the nest for college, film-funder turned filmmaker Lyda Kuth gets anxious not only about how her daughter will fare in today’s world of love and romance, but also about her relationship with her husband of 20 years. What will life be like after her daughter leaves? What is the real meaning of love, marriage, long-term commitment? She queries non-experts and experts alike, such as indie filmmaker Josh Safdie, playwright and musician Kyle Jarrow, author and scholar Stephanie Coontz, about their successes and failures of the heart. "Love and Other Anxieties," a midlife story, is both personal and poetic. With the help of editor/co-writer Lucia Small (filmmaker of "My Father, the Genius" and "The Axe in the Attic"), Kuth has crafted a meditative documentary that is poignantly intimate yet surprisingly universal.

Just before Easter 2001, a semi-trailer loaded with 40,000 bottles of beer crashed into the Tweed River on the out skirts of the northern New South Wales town of Murwillumbah (known as "Murbah" to the locals). With salvage crews ordered to clear the crash zone for the busy Easter traffic, the locals undertook their own salvage operation, making it their best Easter ever. Murbah Swamp Beer is a documentary about an event that could only happen in Australia. It captures the spirit of a small, country town as its citizens discover that beer definitely tastes better when it's free.

Michael Almereyda’s Paradise is a poignant and surprising sketchbook, a collection of brief episodes captured during a decade of travel. The film is marked by a sense of mystery, wonderment, and sly humor, reflecting a notion of life as a series of elusive, paradisiacal moments that are routinely taken for granted — and always slipping away.

On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.

Why are illegal abortions more accessible in Poland than legal ones in South Africa? This documentary feature explores and contrasts changes in Poland and South Africa regarding abortion laws and their impact on the lives of women. In the 90's, Poland banned abortion due to the increasing influence of the Catholic Church after the fall of communism; around the same time South Africa legalized it, reforming the health system after the fall of apartheid. The film reveals how the legal status of women is a direct result of the silencing or empowering of women's voices. In the Polish society and media, women's perspectives were made invisible; in South Africa, on the other hand, they were invited to give public hearings in the parliament about problems in the realm of reproduction.

Pierre Carles questions the privatization of the leading French televisions channel : is it not scandalous that the TFI-Bouygues concession has been automatically renewed since 1987 ? Taking up the anti-television fight he initiated with "Pas vu Pas pris", his first film, he confronts the people responsible for the news who have always avoided tackling this taboo subject. But the investigation does not go as planned : the old dinosaurs and young guardians now how to handle this media critic. To find his "fighting spirit" again, Carles calls to arms his friends and changes methods : Henceforth, no more concessions !

In this sequel to "My brother the Islamist," we continue to follow Robb Leech as the tries to understand his stepbrother's journey and transformation from middle-class boy to convicted terrorist.

On July 4th, 1946, the crowd in Kielce, Poland, slaughtered forty-two Jews and wounded many others. Forty years later, in 1987, Marcel Łoziński visited those places and met some witnesses of the carnage.

The film tells a very personal story from two perspectives: our protagonist is both doctor and patient. As a patient, he has struggled with recurring depression for years, and as a doctor he wants to find out why. The search for the origins of his illness leads him into the realm of his own genes and casts light on the fundamental changes facing modern society as a result of the tremendous progress being made in the field of genetic sequencing. Along the way, he meets a host of people – researchers, artists, visionaries – who have developed their own very individual approach to genetic coding and are drawing attention to the social significance of genetic technology. The film does not restrict itself to a scientific view of the subject but also makes use of artistic visions and more playful approaches to genetic blueprints.

A movie director attemps to film the way he writes a screenplay.

Jason Van Vleet's documentary explores how a plan to overthrow the government conceived in 1983 by home-grown extremists lead to the tragic 1995 bombing of the Alfred P. Murrah Building in Oklahoma City. Van Vleet's film includes interviews with officials who investigated the terrorist attack and a taped confession by one of the perpetrators of the bombing, and looks at domestic terror groups that are still operative years after the attack.

Reliving all of John Cena's classic feuds, from his early confrontations with Eddie Guerrero and Chris Jericho to career-defining battles with Shawn Michaels, JBL, Triple H, Batista, Randy Orton, CM Punk and The Rock.

Renowned Australian artist William Yang traces the labyrinthine web of his family history in this adaptation of his iconic live performance piece. William was born and raised in North Queensland, his grandparents having migrated from China to the Top End during the 1880s gold rush. Yet it was not until mid-life that he claimed his Chinese heritage, which had hitherto been lost to him by his complete assimilation into the Australian way of life. William's transatlantic exploration of his genealogy unites him with scores of relatives from all walks of life, some rich, but most ordinary folk with menial jobs, and most cannot speak a word of Chinese. A visual feast, Blood Links examines how the Chinese diaspora establish roots in foreign soil, and how over the generations, through intermarriage, blood is mixed; yet the intricate bonds of family remain.

A couple of dancers appear one morning in a High School. It's Monday and they announce to a group of youngsters that they have five days to get up on stage and dance. A short time but a big challenge. The dance compels these youngsters to break through their roles exactly at the time of their lives when the social roles are being forged. The handsome boy is no longer the most admired, the timid one takes a step forward. Wilfried van Popple and Amaya Lubeigt are the choreographers. Professional dancers who have decided now to work with people who have never danced before. This is the challenge: five days, a class of teenagers, a microcosm in which occurs a little big bang.

A coming-of-age story about a filmmaker and his family as they struggle to adapt to both a changing world and a traditional one. Can the filmmaker's family accept that he is more interested choosing to document a famine that happened 50 years ago than choosing a wife? Will the family continue to farm their land and grow rice as they always have or sell it to developers? How can they adapt to life in modern China when the country itself is in the midst of identity crisis? The film explores these topics and more in a refreshingly original style that bridges the gap between documentary and narrative feature while providing a delightfully intimate portal into family life in modern China.

While Andrés searches for old movies in Mozambique, he feels haunted by ominous premonitions, anticipating bad news coming from Venezuela, his country, where his father is gravely ill.