Souvenir

The Inguri River forms a natural border dividing Georgia from Abkhazia. One of the spring floods has created a little island in the middle of the river, as if made for the cultivation of corn. At least, this is the belief of an old peasant, whose sunburned face resembles the landscape he has trodden for dozens of years.

A ten-year-old boy lives in a small village in the mountains with his father, who is very sick. They till, ranch the cattle, make cheese. The only connection of this peaceful life with the outer world is a bridge. And the outer world is destroyed by war... Once the boy crosses the bridge and goes to the market square to sell cheese. This journey shows him the world full of strange and beautiful things. But death is always near and war can happen again any moment. When the boy returns home, he finds his father lying on the ground. In spite of all the danger, the little boy tries to save his father and to stand against the cruelty of life.

"Kartli" refers both to Georgia’s medieval kingdom and a Tbilisi sanatorium sheltering refugees from the 1990s war in Abkhazia, meant as temporary but lasting 30 years. The crumbling building became a recreated “country”, with a farm, gardens, terraces and rooms where old VHS tapes revive memories of a lost paradise. Through Tamuna, Irma, and others, the film explores exile, trauma, and shared resilience, showing that nothing stays the same inside Kartli.

An Abkhazian film about a woman and her deeply personal response to the brutal reality of war, which bursts into her tiny world and takes away the most precious thing she had. The film is about her inner struggle, with herself and with the outside world, for the life of a child.

A documentary about young people born after the early-1990s Abkhaz–Georgian conflict. Through six stories of young Abkhazia and Georgia protagonists, it focuses on how inherited post-conflict realities shape everyday life, identity, mobility, and the possibility of dialogue, without turning the film into a political debate.

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The year is 1981, the German New Wave is at the peak. Harry, otherwise Sparkasse trainee, wants to make it big as a manager of the band of his friends, Apollo Schwabing. He has booked the band as the opening act for a concert where the group DAF are the headliners.

After twelve years in prison, Walter returns home. His family has abandoned him, save for his brother-in-law. Few know he's a sex offender and pedophile. Walter finds an apartment and is regularly visited by his parole officer. He gets a job at a lumber mill and starts seeing a coworker. Then his new world begins to unravel; as his past becomes known, he strikes up a high-risk friendship with a young girl and realizes that a man loitering near a schoolyard is a child molester prowling for his next victim.

Based on real events, Canada's most notorious serial killers, Paul Bernardo and wife Karla Homolka kidnap, sexually abuse, and murder three young girls.

Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.