Souvenir

The Inguri River forms a natural border dividing Georgia from Abkhazia. One of the spring floods has created a little island in the middle of the river, as if made for the cultivation of corn. At least, this is the belief of an old peasant, whose sunburned face resembles the landscape he has trodden for dozens of years.

Set in a remote village in Abkhazia one year after the end of the war, the film narrates the life of a ten-year-old boy who cares for his sick father alone. The family's survival depends on the artisanal production of cheese, which must be transported across a precarious, ruined suspension bridge to the nearest market. Utilizing the aesthetic of contemporary silent cinema, director Naur Garmelia explores the material and mental collapse of a nation through a raw and emotional visual narrative about resilience and the loss of innocence."

A ten-year-old boy lives in a small village in the mountains with his father, who is very sick. They till, ranch the cattle, make cheese. The only connection of this peaceful life with the outer world is a bridge. And the outer world is destroyed by war... Once the boy crosses the bridge and goes to the market square to sell cheese. This journey shows him the world full of strange and beautiful things. But death is always near and war can happen again any moment. When the boy returns home, he finds his father lying on the ground. In spite of all the danger, the little boy tries to save his father and to stand against the cruelty of life.

"Kartli" refers both to Georgia’s medieval kingdom and a Tbilisi sanatorium sheltering refugees from the 1990s war in Abkhazia, meant as temporary but lasting 30 years. The crumbling building became a recreated “country”, with a farm, gardens, terraces and rooms where old VHS tapes revive memories of a lost paradise. Through Tamuna, Irma, and others, the film explores exile, trauma, and shared resilience, showing that nothing stays the same inside Kartli.

An Abkhazian film about a woman and her deeply personal response to the brutal reality of war, which bursts into her tiny world and takes away the most precious thing she had. The film is about her inner struggle, with herself and with the outside world, for the life of a child.

A documentary about young people born after the early-1990s Abkhaz–Georgian conflict. Through six stories of young Abkhazia and Georgia protagonists, it focuses on how inherited post-conflict realities shape everyday life, identity, mobility, and the possibility of dialogue, without turning the film into a political debate.

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