Ten Thousand Bolts

Ibiza

National Geographic sull'Everest

Via Annaba takes us to the 2023 Annaba Mountain Week in Algeria, an event organized by the French Institute of Annaba and produced by CSPS Aïn Beïda and Nephrops Prod. During this event, climbers from Algeria, France, and Spain gathered for numerous outdoor sports workshops along Annaba's magnificent, rugged coastline: rock climbing, setting a via ferrata route, deep water soloing, scuba diving, and more. This film, a true postcard of Annaba, a city nicknamed "the charming one," is also, and above all, a pretext for inspiring encounters and a contribution to the development of mountain sports in Algeria.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

The Great North Faces of the Alps: Matterhorn

Lignes chronicles the sublime interplay between alpine literature and an expedition seeking the true meaning of mountaineering. Four high-mountain guides—Matthieu Maynadier, Pierre Labbre, Matthieu Détrie, and Julien Dusserre—embark on a project: to summit Nangpai-Gosum, an unclimbed 7,000-meter peak in Nepal, using the "alpine style" adapted to the Himalayas—the toughest and purest approach of all. Through this expedition, Lignes attempts to answer the question: "Why do we climb mountains?" Why, despite the harsh conditions and exhaustion, do these four Alpine guides pursue a perilous dream in a realm that belongs to no one? Lignes finds some answers in the past, drawing on 150 years of alpine literature. Serving as both narrator and seasoned guide, Raymond Renaud takes us on a tour of his books and speaks of the "conquerors of the useless"—from the turn of the century to the present day.

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

The 2013 film from Alastair Lee is an epic to end all mountain epics se t in the stunning mountains of Queen Maud Land, Antarctica. The feature documentary follows top adventure climber Leo Houlding with his tried and tested team of Jason Pickles and Sean ‘Stanley’ Leary as they attempt to make the first ascent of the NE ridge of 'the master piece of the range'; the majestic Ulvetanna Peak (2931m). One of the most technically demanding climbs in the world’s harshest environment. The film tells the story of a climber's life long dream reach one of the world's most remote and difficult summits, interweaved with the fascinating story of the mountain itself; which incredibly was only discovered in 1994. All set against the backdrop of the current age of mountaineering where few great lines remained unclimbed.

Blind climber Erik Weihenmayer and his team's highly successful ascent of Mount Everest along with four other remarkable milestones on the mountain. Time magazine called this the most successful Everest expedition of all time.

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

In the Shadow of the Condor documents an expedition in January of 2002 into the spectacular pristine Corcovado wilderness in Southern Chile.

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

Fred Beckey is the legendary American "Dirtbag" mountaineer whose name is spoken in hushed tones around campfires. This rebel climber's pioneering ascents and lifestyle form an iconic legacy that continues to inspire generations.

Zaghouan

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

The first ascent of the Matterhorn was made on July 14, 1865 by Edward Whymper, Francis Douglas, Charles Hudson, Douglas Hadow, Michel Croz and two guides from Zermatt, Peter Taugwalder father and son. Douglas, Hudson, Hadow and Croz are killed on the descent after Hadow slips and drags the other three men down the north face. Whymper and the two Taugwalders, who survive, are later accused of having cut the rope that connected them to the rest of the group so as not to be dragged into the fall, but the ensuing investigation finds no evidence of their guilt and they are acquitted. The Matterhorn is the last great peak in the Alps to be conquered and its ascent marks the end of the golden age of mountaineering. One hundred and fifty years later, a team undertakes the same expedition in order to unravel the mystery.

Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.

The biggest stories from the climbing world, told with humor, heart, and mind-bending action. Featuring Alex Honnold in Honnold 3.0, Chris Sharma and Adam Ondra in La Dura Dura, Conrad Anker, Jimmy Chin and Renan Ozturk in Shark's Fin, The Wide Boyz, Sasha DiGiulian, Daila Ojeda and more.

Documentary on one of the first editions of the Trofeo Mezzalama, the highest ski mountaineering race in Europe, at more than 4,200 meters above sea level, which takes place on the glaciers of Monte Rosa, from Breuil to Gressoney-La-Trinité, crossing the summits of Castor (4,199 meters) and Nez du Liskamm (4,100 meters). The film recounts the last hours of feverish preparation before the start, the teams preparing for the race linked in ropes, then follows the stages of the competition by following the groups of skiers from a plane. Created in 1933, the Trofeo Mezzalama was contested until 1938, before falling into oblivion during the war. A second version was organized from 1970 to 1973. A third biannual version has been organized since 1997.

Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.