The Art of Crime

Discover Verdi’s magnificent ‘hometown’, the Parma region. From the small village of Le Roncole, near Parma, where Verdi was born, to the estate situated close to Parma, where Verdi always returned and chose to spend most of his life, despite the great triumphs he achieved in Milan, Venice, Naples and other major cities. We discover how Verdi ‘still lives on’ in the region and has even shaped the local landscape, from the daily life of a simple farmer to that of one of the world’s greatest opera stars, Leo Nucci, who is a regular guest at the Verdi Festival in Parma. From the 27-opera box set ‘Tutto Verdi’.

3,700 km of coastline, a Fiat 1100, and an old travel diary, those are the ingredients for Pepe Danquart’s documentary. Following the footsteps of the great Italian thinker Pier Paolo Pasolini, the filmmaker gains a deep insight into the social reality of present-day Italy. The country is massively affected by globalization, migration and the phenomenon of mass tourism, which, more than ever, is characterised by the same hedonistic conformity that Pasolini lamented more than fifty years ago. Ahead of me the South is a poetic contemporary document, a kaleidoscopic picture of the Italy of today.

Italia 90 was another fascinating tournament, a melting pot of different styles, culture and technique. The biggest tournament to date, it saw the emergence of the African nations with the free-flowing Cameroon capturing everyone's hearts. The final was tight and not for the squeamish, but the well-drilled and better-disciplined Germans prevailed 1-0 winners to claim the crown for the third time.

In Palermo (Italy), a group of supporters found a grassroots football club to oppose the commercial model of modern football and return the game to its community, while the daily lives of members, players, and volunteers intertwine through personal sacrifices, dreams, and resistance.

A visual essay by Michael Mackenzie exploring the giallo's relationship with the social upheavals of the 1960s and 70s.

Showing the peasants in their quaint costumes, which are only donned on Sundays and Festivals.

1906, cinematography by Frank Ormiston-Smith.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

A surgeon discovers that he can restore the beauty to his girlfriend's scarred face by murdering other women and extracting fluids from their pituitary gland. However, the effects only last for a short time, so he has to kill more and more women. It is ultimately a killing spree which ends with considerable death and disaster.

A madman is on the loose... killing fashion models that appear on the cover of magazines. The police start a manhunt in an attempt to capture the killer.

Alice is a withdrawn 12-year-old who lives with her mother and her younger sister, Karen, who gets most of the attention from her mother, leaving Alice out of the spotlight. When Karen is found brutally murdered in a church, suspicions start to turn toward Alice. But could a 12-year-old girl really be capable of such savagery?

An English pianist living in Rome witnesses the brutal murder of his psychic neighbor. With the help of a tenacious young reporter, he tries to discover the killer using very unconventional methods. The two are soon drawn into a shocking web of dementia and violence.

Actors rehearsing a show at a mysterious seaside theater are being killed off by an unknown maniac.

A group of experienced archeologists are searching for an old and mystic Phoenician treasure when they are surprised by a series of mysterious murders...

A scheming widow hatches a bold plan to acquire her late husband's inheritance, unaware that she is being targeted by an ax murderer who lurks in the family's estate.

The lust for gold and the reading of a will brings eleven visitors to a remote island retreat, but an unseen, seemingly unstoppable evil follows to stalk them one by one. The bodies don't stop dropping until the final shattering conclusion. Who - or what - is the intruder? One thing is for certain: it will not stop until it kills them all.

When a leopard escapes during a publicity stunt, it triggers a series of murders.

In 1957, Dorothy and Edmund Yates were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy's case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie, try to discover just how far Mother's bloodlust has taken her. Meanwhile, youngest daughter Debbie begins to explore the crazy roots of her family tree as fully as possible.

Nerdy Walter Paisley, a maladroit busboy at a beatnik café who doesn't fit in with the cool scene around him, attempts to woo his beautiful co-worker, Carla, by making a bust of her. When his klutziness results in the death of his landlady's cat, he panics and hides its body under a layer of plaster. But when Carla and her friends enthuse over the resulting artwork, Walter decides to create some bigger and more elaborate pieces using the same artistic process.

When a stranger enters a quiet, country town and is seduced by a sensuous married woman he unwittingly finds himself at the centre of a storm of sexual guilt and murder.