Castration Movie Documentary Anthology i. You Had To Be There

Mitrice Richardson, a lovely 24 year old African-American woman, was released late at night from the Malibu, California Sheriffs jail after having been detained for not paying her bill at an upscale restaurant. She was described as 'acting crazy' and, in fact, was having a mental crisis. She was released into the mountainous region with no cell, no purse, no ID, no car, no way home and vanished. Eleven months later her remains were found in a desolate Malibu canyon. 'Lost Compassion,' shot from ten days after Mitrice went missing, tells the complex, emotional inside story of the search for Mitrice and struggles with the Los Angeles Sheriff's Department, whose deputies lied about her arrest and likely were involved with her disappearance and murder.

A short film that follows Tiana, a young woman navigating the fragile space between self-discovery and belonging in contemporary Brazil. After distancing herself from a turbulent past, she tries to rebuild her identity while confronting expectations imposed by family, society, and her own desire for freedom. As new relationships open doors to intimacy and vulnerability, Tiana must decide whether to embrace the version of herself she has long hidden or continue living in the shadows. The film explores gender, transformation, and queer resilience through a tender, character-driven lens.

Behind the scenes documentary of Lars von Trier's The Element of Crime (1984).

A documentary that brings together interviews with 20 activists who address the issue of intersectional feminism and patriarchy in Portugal.

There is no topic that unites all of Vancouver quite like that of housing. At every dinner party, social gathering, or chance meeting in the street, everyone has an opinion, and they want to share it. Charles Wilkinson’s new film Vancouver: No Fixed Address tackles the subject from a multiplicity of perspectives. A chorus of voices chime in — everyone from David Suzuki, to Vancouver Mayor Gregor Robertson, Seth Klein, Condo King Bob Rennie, Senator Yuen Pau Woo, and lots of regular Vancouver citizens.

A behind-the-scenes look at the building of the bridge in the film The Bridge on the River Kwai (1957) and the preparations for its destruction.

Robert Oppel's documentary about the life and murder of his uncle and namesake, Robert Opel, the man who streaked the Academy Awards in 1974.

In 1959, Jean Cocteau looked back on his artistic journey for the Télé Monte-Carlo television show Tout la vérité, rien que la vérité. The program ends with a tasty anecdote about television that Cocteau describes as a “box of tricks”. A few weeks later, in the same Victorine studios, Cocteau directed most of the sequences for his last opus: The Testament of Orpheus (1959).

Meet Canuck – a wild crow who formed an unlikely bond with his human friend, Shawn. The mischievous crow has captured the hearts of Vancouverites and garnered global attention through his antics.

To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.

Fly-on-the-wall featurette that gives total access on nearly every aspect of pre-production and production.

One record producer, the creators of "Hedwig and the Angry Inch" and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the Harvey Milk School- the first accredited high school in the country for LGBTQ youth. "Follow My Voice: With the Music of Hedwig" weaves the compelling, courageous stories of four students at this controversial school with a unique chronicle of the yearlong creation of "Wig in a Box," the album whose songs poignantly echo these teens' struggles and aspirations. Through a dramatic and vibrant combination of verite documentation, student video diaries and rare in-studio scenes of artists recording tracks, "Follow My Voice" offers a powerful and poignant look at this unlikely intersection of youth, gender and rock. Includes studio sessions from Yoko Ono, Rufus Wainwright, The Bens, The Breeders, Yo La Tengo, John Cameron Mitchell, They Might Be Giants and more.

Al is a young drag king dealing with his transgender identity daily. He tries to express it through his shows and share with us his story, feeling and thoughts about it.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

Putito is a production with no specific genre, where reality and fiction blend through a testimony written by José Carlos Henríquez - a feminist activist and male prostitute who plays himself in the project. Available in a censored and uncensored version.

This one hour TV special promoting the release of Can't Stop the Music featured the film's stars (The Village People, Valerie Perrine, Steve Guttenberg and Bruce Jenner) with guest appearances by Cher, Hugh Hefner and others.

In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.

Making of the film "Maputo Nakuzandza", by Ariadine Zampaulo.

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

In this film, the idea of the iron rabbit is used as a metaphor for bisexuals’ situation. Something that looks like a rabbit is not necessarily a rabbit. When a straight couple appears, people often consider them to be ordinary heterosexuals. And when two gay people get together, people simply think of them as homosexuals. In this instinctive view, which holds that people are either homo or hetero, bisexuals seem to fade out. This film is a real reflection of the lives of bisexual people in Taiwan. We hope that through the film, people can understand more about bisexuals.