Womenfolk

Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a secret society and attempts to stop a mysterious species known as the "Dark Ones" from destroying all life in the universe.

A documentary about trans woman rapper and producer htmljones (Ishaani Ponniah), framed through the visual language of early-2000s television, 2010s internet aesthetics, and contemporary British culture.

A reinterpretation of the Greek legend of Penelope, ”the most faithful of wives”, who waited 20 years for her husband Odysseus to return from The Trojan War. In this animation, the two of them are presented in a more modern setting. While Odysseus is busy exploring the universe in his space rocket, Penelope is stuck at home, taking care of the children, showing how traditional gender roles say men should work, while women stay at home.

Born of a flower and growing to only a couple of inches tall, poor Thumbelina is worried she'll never meet someone her own size, until she happens to catch the eye of Prince Cornelius of the Fairies. Just as soon as she finds love, however, it's torn away when she's kidnapped by Ms. Toad. Now Thumbelina has to escape Ms. Toad's grasp and search for Prince Cornelius. Luckily, there's a whole city of animals willing to help.

Struggling to decide whether to try for a baby with Sausage, Womb must face her fears when she encounters the Period Poo Genie.

Orbitas is the story of an impossible love which revolves around a planet at war.

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.

In 1971, graduate student Gloria Orenstein received a call from Surrealist artist Leonora Carrington that sparked a lifelong journey into art, ecofeminism and shamanism. This short film uses art, animation and storytelling to celebrate this wild adventure. Now more than 40 years later, award-winning Dr. Gloria Feman Orenstein is a feminist art critic and pioneer scholar of women in Surrealism and ecofeminism in the arts. Her delightful tale brings alive an often unseen history of women in the arts.

An exploration of entering and leaving consciousness from the perspective of non-human bodies trapped in everlasting cycles of abuse.

After years of caring for her father, Bella falls for Ponce, a dreamer she sees as her prince charming. As their romance leads to marriage, she gradually loses herself, abandoning her studies, friends, and family for his world.

Naranja is a woman that endures daily street harassment and catcalling; the constant sexualization and objectification of her body is reflected on the spots that these violent acts leaves over it. Naranja will have to react before the spots consume her.

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

In this modern twist on a classic fairy tale, a headstrong princess is stolen by an evil sorcerer, and her scholarly fiancé must use his wits in an epic quest to find her while she boldly challenges her captors and plots a daring escape.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

A heavyset woman who keeps being harassed by her aerobics instructor and her attempts to get even with him on a Body Beautiful contest.

Dayna flees her tour and finds solace in South Dakota's Badlands, connecting with nature and locals, healing from abuse. Her disappearance fuels fame, leaving her stranded in the wilderness she loves, saved from suicide but risking death.

Mulheres Compositoras na História de Passo Fundo (MCHPF)

A salute to women in history who have used their bodies in protest when they haven’t been permitted to use their voices, this film reflects upon the collective strength and subversive potential of women standing together and using their voices in collaboration.

On the banks of the Vistula River, a mermaid, and a bar matron face off against gendered power. Through an emblematic confrontation with a young fisherman, they tear at the net of prevailing misogyny.

A wickedly funny satire about the disparity between a woman's natural beauty and the ideal promoted by the mega-billion dollar advertising industry, this animated film shows us how far we will go to change the shape of our bodies to meet the demands of an impossible image. But the picture-perfect exterior can be maintained by our heroine only if she restrains her body's natural spontaneity. YOUR NAME IN CELLULITE visually ponders at what point the body will say "Enough is enough!" and take matters into its own hands.