Tomatos Another Day

On an English farm, six reckless children play at being a fierce band of Apache warriors, unaware of the many dangers to which they are exposed. (Public information short film produced on behalf of the British Government to warn children living in rural areas about the risks of playing near farm machinery.)

A dark domestic melodrama about the ties that bind and the ties that really bind.

The first appearance of Felix the Cat (as Master Tom). Tom falls in love with a lady cat, and while they're out courting at night, the mice ransack the kitchen.

Mickey gives Minnie a canary for a present. Soon there are several little canaries; they get into the inkwell and fly around the house, making a mess, though it's nothing compared to the shambles Mickey makes of the house while chasing them.

Mickey and Pluto go duck hunting, stopping to jam to "Columbia, Gem of the Ocean." The ducks get their own back, carrying the hunters through the air and dropping them on a clothesline.

At the theatre, a 'Paramouse Noose Reel' and a Bimbo and Koko cartoon are followed by Betty Boop's stage performance; she sings and does imitations of Fanny Brice and Maurice Chevalier.

Bimbo is a mechanic whose girlfriend (not Betty) agrees to marry him if he wins a fight against "One-Round Mike." Quick as a wink, he transforms his car into a robot to help him in the ring!

“Music Forward!” is the order given by a lady in Colonial costume, and in march a group of five musicians, working industriously at their instruments. The directress stands them in a row, and taking the head off each, throws it onto a huge music staff and each becomes a note of the scale. The whole bodies appear again, after which the manipulator seems to wrap them up in a large sheet of music, which is then shown to contain nothing. The paper is rolled up again, and a cane is held, perpendicularly, in a horizontal position to the sheet.

Cetto and its city council were arrested, but in prison the conspiratorial former mayor makes no earning name as the gratitude of the powerful secretary. These decide to replace some MPs mysteriously killed precisely with Cetto and two other characters: Rodolfo Favaretto and Frengo Stop

Mickey's film is having a premiere, and all the stars turn out at the Chinese Theatre. Among those shown: Laurel and Hardy, the Marx Brothers, Jimmy Durante, Clark Gable, Sid Grauman, Mae West. The picture, Galloping Romance (Pegleg Pete kidnaps Minnie, and Mickey gives chase on a variety of animals), starts, and everyone in the audience sways along to the music, then rolls in the aisles with laughter. After, everyone comes on stage to congratulate Mickey; Garbo smothers him with kisses.

Mickey's a shovel operator and laborer at a construction site; Minnie is delivering box lunches; Pete is the foreman. Mickey pays more attention to Minnie than to his work, and keeps having accidents (mostly involving the blueprints Pete is holding). Pete steals Mickey's lunch, so Minnie offers him one on the house. While he's eating, Pete kidnaps Minnie; Mickey fights him, but the tide turns when Minnie dumps a load of hot rivets into Pete's pants...

Oswald the Rabbit comes to the rescue when a peg-legged sheik abducts his girlfriend and brings her to a mysterious pyramid filled with walking skeletons, animate hieroglyphics and other strange sights.

While Bimbo and Koko admire Betty, their experiment becomes a monster.

Blackout gags and music, including the title song originated in the movie musical Gold Diggers of 1933. Hollywood figures caricatured include Tallulah Bankhead, Joan Blondell, James Cagney, Bing Crosby, Guy Kibbee, Zasu Pitts, Mae West, Bert Wheeler and Bob Woolsey, Ed Wynn, George Bernard Shaw, Mussolini, Ben Bernie, The Boswell Sisters and Greta Garbo, who does the "Dat's all, folks!".

Betty Boop hosts a Hallowe'en party with a few uninvited guests.

“A clever characteristic dance called the 'Yellow Kid.' Very unique. Stage is in the Sutro Baths, San Francisco, Cal., and the audience is composed largely of bathers.” (Edison Catalog)

This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul Marat--who has the notorious distinction of having influenced the Reign of Terror.

Several men in a basement barbershop become excited by women walking past the window. The ankles and knees of the passersby are visible to the men below, causing pandemonium among the barbershop customers. Possibly released in 1901.

A boy is led into the frame by two nursemaids who give him a big ball to play with. For the remainder of the film heads appear and disappear, stage props blow up and turn into other objects or people, and finally Bob Kick disappears.

Scene, interior of a street-car. A stout man enters and sits down alongside of a friend and proceeds to read a comic paper. He shows a joke in the paper to his friend, and the both laugh heartily. The friend leaves the car, and his absence is not noted by the stout man. An elderly matron takes the seat. Without looking up the stout man shoves the paper in front of the face of the old lady, thinking his friend is still there.