A Good Beer

Cucu lives with her mother. Tonight, it is her father's turn to babysit. Except, Arnaud is more used to rave parties than pyjama parties. When it is time to go to bed, Cucu wants her father to read her a story. Arnaud refuses, pretending he is useless at reading. He then starts improvising an impossible love story between Sissi the Empress and Hercules the half-god.

We Should Have Coffee Sometime is a four-minute animated documentary exploring a loss of faith. The film begins with a meditation on the end of a relationship. About one minute later it is revealed that the relationship is not between friends or romantic partners but between co-director Maile Martinez and God. To complement and clarify the narration, the project employs a variety of animation styles.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

A documentary about the making of Wallace & Gromit’s Cracking Contraptions.

Uli has found an old book in the attic of the Kulturhaus that tells of the exploitation of the peasants by the feudal lords. He tries to imagine how the robber barons would fare in a socialist village. Then two of this type step out of a dusty picture and Uli joins them on their way to the village. There they fail miserably with their overbearing behavior, and even a break-in turns into a failure.

A yarn about the mythical Leprechauns who reside in Ireland and their crock of gold. The legend says that if anyone succeeds in capturing one of the wee men, the little person must then lead them to where the gold is hidden. Young Patrick, on his 121st birthday---that is correct, his 121st birthday---is permitted to do a good deed, and delivers new shoes to the homes of the poor. But, alas, the town miser spots him and succeeds in capturing him. Patrick leads the miser to the spot of the gold, a tree stump, and promises, as the legend says, not to remove it while the old miser rushes home for a shovel. But, when he returns he now finds hundreds of tree stumps, and is foiled. Young Patrick is welcomed back home with a birthday cake...with 121 candles.

Wellington the dog is given a package to deliver to Uncle Louie, with strict instructions not to let go of it. Sylvester and another cat that Wellington has been tormenting see this as their chance to get even. Besides repeatedly filching the package, at one point they drop a duplicate off a bridge. Wellington still manages to retrieve the package a few times, but never for long.

Bluto, the daring hot air balloon rider, catches the eye of Olive at a carnival, much to Popeye's chagrin. Bluto manages to make Popeye look bad several times, eventually winning a ring at the ball toss and taking her up in his balloon. Of course, he tries to get fresh with her, and Popeye comes to the rescue with the help of some fireworks. The hot air balloon gets a bit too hot, putting Olive in even more danger.

Lulu plans her revenge against a distressed golfer who refuses to give her a lollipop after he promised her one for caddying for him.

After somewhat hectic travel preparations, Anatole and Margot set off on holiday. The cart arrives at its destination, somehow or other, and it’s time to set up camp. But the task isn’t always simple and Anatole is literally blown away, inflated like an airbed!

As winter approaches, a variety of birds fly south to see a warmer climate.

The adventures of a legendary hero who, dazzled by the beauty of a princess in the hand asks. This imposes several trials he emerges victorious. Only death will eventually bring the two young men.

A newsreel spoof with WWII homefront gags, including rationing, air raid drills and women filling in men's jobs.

In an attempt to prevent his daughter from spending her money needlessly on sweets, Mr. Moppet tells Lulu the story of The Grasshopper and The Ant. Seeing how the grasshopper wasted his money, and could count on no help from the ant, Lulu promises her father that he won't waste her money any more. But the temptation of the local candy store grows too strong, and Lulu buys all of the sweets that she can get hold of in order to "save up for the winter."

The Dutch 'Wad' (coastal mud flats) is a strange place. At low tide, many square miles of mud flats surface between the mainland and the northern islands. The Netherlands grow and shrink with the movement of the moon. Sudden incoming tide make these flats 'sea' again, sometimes drowning hikers by surprise. The Wad does not know what to make of itself. Land, see, mud, ocean floor... Two characters (and their dog) are stranded there in that desolate place. The only dramatic elements in this comical short are the sea, the wind, the sand and a lonely sea gull. Drawn in mud and tar on wet sandpaper.

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

Chloé and Louis are secretly in love with each other. Every word is a move, every sentence is a choreography.

Once again, the mysterious minah bird hops his syncopated way into Inki's lion-hunting expedition. This time the little black bird has a new reality- defying way to disappear: he hops into a haystack which gradually (and with the same catchy hip-hop) shrinks down to a single straw, which vanishes.

This early Mighty Mouse cartoon -- actually, he was still called 'Super Mouse' at this point -- is one of the better ones, due to the large number of good comedy gags inserted -- cats hiding behind skinny trees, mice running down cats' gullets and into their tails, and so forth.

"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.