Oye, We're from Here Too

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

SOAR

JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.

Walk listening to the campanus of the cows in the bush. Light a charcoal stove. Go out to the prao with the albarcas. One day everyday things that are erased without us noticing. That they would never have existed were it not for those who, by necessity, tradition or choice, dedicated themselves or dedicate themselves to it. This documentary brings us closer to four Cantabrians, masters of traditional crafts.

It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.

Before Elton John makes his debut on the Pyramid Stage at this year's Glastonbury, Clara Amfo sits down with him, at his home, to sift through his extensive record collection and pick some of the artists he’s excited about seeing down at Worthy Farm.

Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

Frank Zappa stopped by the Night Flight studios in 1985 to talk about music videos, censorship, the PMRC and what it's like to play in his band.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A short documentary covering the conclave and election of Pope Pius XII.

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

Documentary on the river Ganges.

El conserje

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

Afatasi The Artist is a San Francisco based mixed-media conceptual artist and futurist. Her artwork—which includes textiles and fine art tapestry, small paintings and murals, metal work and clothing design—is a continuous exploration of the intersectionality of race, culture, gender, class, and geopolitics. “I like to create these things because there were so many who weren’t allowed to live this loudly,” Afatasi says, "and I know how much better the world would be if they had.”

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

A day in the life of an old shepherd during the lambing season on the Sussex Downs. He talks of the problems in Winter, when lambing is complicated by snow. -BFI

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.