Empty Quarter: A Woman in Africa

A short film by John G. Avildsen.

Everyone has to be ready to appear before God, or it is irrevocably too late. My Lord. Save our guilty souls. Do not desert us. According to the short statement by the artist.

Sans nous

Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.

Here I am. A mind backed up by delusion of previous condition. Free or humiliated? Who is ashamed? Me or you? It is so hard to share one's secret.

A personal, subjective journey into the mind of Greta Thunberg, before realizing her calling as a climate activist. While struggling with mental health issues and bullying because of her Aspergers, she also grapples with the sense of impending doom due to the climate crisis. These same struggles and fears drive her to make change and become the person she is today.

A person shaken by the catastrophes of the world cannot let go of their chaotic thoughts until they find a bond that was once lost.

A former valedictorian quits her reporter job in New York and returns to the place she last felt happy: her childhood home in Connecticut. She gets work as a lifeguard and starts a dangerous relationship with a troubled teenager.

A man steadily bashes through the snow. He disappears and the trees, covered in white, shift and show a beautiful array of hidden colors. A poetic, meditative short film about letting go of the past and embracing the unknown future.

Nihilistic cousins explore the secret deadly language of a folie à deux relationship in a Brexit environment of racism and illusion.

Two ballet dancers perform a dance enhanced with surreal after-image visuals.

Two couple leave Kathmandu to go the village where a lot of conflict happen.

This atmospheric French independent film tells the story of a man who has traveled nearly 10,000 miles to find the woman he can’t forget.

Alyssa (Lana Boy) follows her artistic aspirations to Los Angeles, leaving behind her husband Luka (Emmanuel Berthelot), who promises to join her later. The pandemic-induced lockdowns force them apart, straining their relationship until the couple decides it’s best to separate. Upon returning to Paris to finalize her divorce, Alyssa finds herself engulfed in her past life with Luka and old friends, all of which have moved on. She starts to question whether she was selfish to leave her past life behind in pursuit of career goals. Should she have been happy with the “little life” she left behind? Could she have been?

Two New York film editors balance their personal relationships while reworking a movie in crisis.

The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.

Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical characters—hedge fund managers and art world players in London; a photographer in Reykjavik; and a Filipina houseworker in Dubai—each of whom is based on a real-life individual directly affected by the market collapse.

A re-working, re-editing, and restructuring of Sam Fuller's The Big Red One bringing it closer as originally envisioned by the late filmmaker. It includes forty-seven additional minutes which was not utilized in the film's original release. Supervised by Richard Schickel, Peter Bogdanovich, and editor Bryan McKenzie.

Adobea, Buki and Theresa are three women from different walks of life bound together by a similar pain; the loss of a child. In a destined meeting in a small village in Kroboland, the women journey together to redemption, love, life and forgiveness as they renovate a dilapidated clinic for the villagers.

The inspiring true story of Seretse Khama, the King of Bechuanaland (modern Botswana), and Ruth Williams, the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments. Seretse and Ruth defied family, Apartheid and empire - their love triumphed over every obstacle flung in their path and in so doing they transformed their nation and inspired the world.