Alberto Dines - Vínculos da Liberdade

A huge bestseller in its day, the novel Uncle Tom's Cabin championed the abolitionist cause while perpetuating racist prejudices about African Americans. A remarkable analysis of a work steeped in ambivalence, which left a lasting impression on readers.

Transumanza

A Russian-Australian cinematographer travels to Albany to find out about the time when a 19th Century town at the end of the world was put on high alert of a Russian invasion.

Le mystère des reliques de saint Pierre

Over three nights in April 1922, 13 men were murdered in west Cork, because, according the late Canadian historian Peter Hart, they were Protestants. This documentary goes to the root of the bitter dispute his controversial views have created.

Dengbêjên Me is a empathetic documentary about the last living representatives of the Kurdish oral storytelling tradition—the Dengbêjs. The film is dedicated to their lives, their memories, their pain, and their resistance. Their songs and personal stories create a cinematic archive of a cultural heritage that dates back thousands of years. Between voice, music, and silence, a deeply emotional journey unfolds, becoming a farewell, a testimony, and an act of cultural survival.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

The brilliant self-taught pianist Erroll Garner left his mark on jazz forever. His song Misty, which he allegedly composed between two concerts on an aeroplane, immediately became one of the great jazz standards and is still one of the most covered ballads in the world today. Who was the man behind the ever-friendly smile from the ghettos of Pittsburgh, whose talent brought him to the biggest international stages?

Brair Kani explores an ancestral house located in Srinagar, Kashmir. Using the attic as a site of reflection, the film navigates the relationship between space, belonging and personal history. Inhabiting the confines of the attic, the house spirits exist simultaneously as carriers of collective memory and as manifestations of the emotional landscape.

Revealing the flaws of Japanese society, the 1995 sarin gas attack in the Tokyo subway prompted Murakami to return to his homeland, whose conformism he rejected, to examine it closely. This led to the creation of two works: Underground and 1Q84.

Minuta ticha

Packed with drama, high emotions and cliff-hanger moments, Australia Says Yes is the intimate and personal history of struggle and perseverance that propelled Australia to say Yes to marriage equality. The film shows how a group of determined individuals fought tirelessly against unjust laws that treated LGBTIQ people as second-class citizens, creating a movement that saw them go from criminals to legally equal over the course of five decades.

Filmed in IMAX, a young Mayan boy who lives close to the ruins becomes acquainted with an archaeologist (Guerra) and asks her to tell him about his ancestors. The crew travelled to over 15 locations in Mexico and Guatemala, including Tulum and Chichén Itzá.

From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.

Clynnog Morris is a local historian of great renown locally. In April of 2023 he was fortunate enough to be commissioned by the Arfon Historical Society to make a short film about his local park. 'Parc Chwiad' (Duck Park) is the resulting film.

Misunderstood by the French, Emmanuel Macron’s dissolution of the National Assembly on June 9, 2024, led to an unprecedented political deadlock. This documentary examines whether he miscalculated, why he took such a risk, and whether this signals a deeper institutional crisis in the Fifth Republic.

A documentary exploring Saudi Arabia's hidden film culture, following movie lovers who grew up without theaters in the 1980s and uncovering the nation's pre-1979 cinematic history through pioneers who kept their passion alive.

In this feature-length documentary film essay, archival footage weaves together childhood memories from once-opposing sides on the Gorizia border to rethink—80 years after WWII, and amid renewed calls for rearmament—the meaning of home and belonging.