Festival De Ritmo - Dave Weckl | Vichel Band cover

In a bland, utilitarian world of order, one worker finds his inner jazz

The musical traditions of the eastern and western worlds are bridged through the improvisations of Bombay, India-born percussionist/vocalist Trilok Gurtu. Gurtu’s mastery of post-bop jazz has not gone unnoticed. Downbeat magazine named him “best percussionist” in three critic and popularity polls and proclaimed, “musically, the world is his stage”. Jazz magazine, Straight No Chaser took a similar view, writing, “this music has a transcendental quality and removes any obstacles that lie between western and eastern improvised music.” Gurtu’s eclectic approach has enabled him to collaborate with most of the world’s greatest musicians. Tracklist 01. Jhuleal 02. Peace of five elements 03. Africa con India 04. Pasana’s Love 05. Dance with my lover 06. God rhythm

Zawinul is onstage with the WDR Big Band from Germany and a special international rhythm section. The music is a tribute to the pioneering 1970s fusion collective Weather Report, originally with Wayne Shorter on sax, Zawinul on keys, and later Jaco Pastorius on bass (among other personnel). Zawinul and the WDR play "Brown Street" and "Carnavalito." Arranger Vince Mendoza re-imagines this colorful, small-group music for Europe's longest-lived jazz orchestra. And they can play!

Tracklist: 1. Route 66 2. Medley: - Save Me - My Old Friend - Trouble In Paradise 3. Distracted 4. Wait For The Magic 5. Mornin' 6. Take Five 7. Lost And Found 8. Midnight Sun 9. Medley: - Step By Step - Breakin' Away - I Will Be Here For You (Nitakungodea Milele) 10. Boogie Down

Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.

A music documentary made with Sun Ra.

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.

When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

The recording of a concert by the Martinů Voices vocal choir, conducted by Lukáš Vasilek, at St. Wenceslas Church in Opava presents listeners with a repertoire of famous spirituals in spectacular and virtuoso jazz arrangements. Spirituals, a phenomenon of American culture, gained popularity primarily for their catchy melodies and rhythms, which formed the basis for the emergence of jazz in the early 20th century. The program features mainly arrangements by Henry Thacker Burleigh, an African-American composer whose spiritual music influenced the work of Antonín Dvořák, among others.

Käseburg

Clark Terry has been described as 'possessor of the happiest sound in jazz'. A veteran of Duke Ellington's orchestra, he began to perform as a soloist in the sixties and established a reputation as one of the great teachers of jazz music, which continues to the present day. In this performance from 1977, he is joined by an all star band including Oscar Peterson, Ronnie Scott, Niels Pedersen, Joe Pass, Bobby Durnham and Milt Jackson.

In volume eight of Like A Version watch artists such as Thundamentals, Bon Iver and Jinja Safari cover 14 different songs.

Belgian jazz is enjoying a renaissance, driven by artists mixing jazz and electronic music. Around the Volta in Brussels, groups like Echt! and Tukan are reinventing the genre and exporting this ‘Brussels Sound’. This Jam documentary explores the effervescence of Belgian jazz and its international impact.

This Emmy-nominated TV special highlights rare performance footage filmed between 1968 and 1969 at various US venues and locations, including the Westbury Music Fair, The Village Gate, and RCA Studios in New York City. Also featured are candid and personal interviews with Nina herself, revealing her unique views on music and life -- all expressed with her trademark intensity.

Art Blakey & The Jazz Messengers features what many consider to be one of the fi nest line-ups in the history of jazz—Bobby Timmons (Piano), Jymie Merritt (Bass), Benny Golson (Sax) and the legendary trumpet player, Lee Morgan. Lost for nearly 50 years, this historic 55 minute concert, fi lmed in Belgium in 1958, one month to the day after they recorded their masterpiece Moanin,’ is the only known visual document of this infl uential band who were together for only six months.

Chronicles the extraordinary rise of Haitian-American jazz singer Cécile McLorin Salvant, anchored by a pristine recording of a live concert.

A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.

A control-obsessed saxophonist must embrace uncertainty when he learns that a career-defining audition will be assessed on his ability to improvise.

Recorded during the 10th Paris Jazz Festival - 3rd November, 1989 at Le Zenith, Paris, France, with Kenny Garrett, Kei Akagi, Joe "Foley" McCreary, Benny Rietveld, Ricky Wellman, and John Bigham. Also includes interviews with Miles.