Vote Gavin Lyle

A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.

Archie, an inventory specialist at a weed shop, gets asked to try a newly engineered product before it goes on sale.

After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

In the worst part of town, a mysterious presence obstructs Joan from leaving the parking lot.

In a desperate attempt to survive, two deserters and a green beret try to reunite with their forces after the enemy unleashes its secret weapon.

Mario has prepared something for Cristina, but she doesn't seem very interested in knowing what it is.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

Where Hazel Met the Villain is a 1914 movie starring Roscoe Arbuckle and Phyllis Allen.

Bob is a busboy, complacent with working his dead-end job. When his boss tells Bob that he is moving up in the company, the older, quiet cook, Lewy, opens up to Bob and shows him that there is more to life than cleaning tables.

Jota and Santi are two teenage boys who live in Madrid, looking for something that beats the summer heat. There is a story about a magnificent pool in one of the most controversial places of the city and they are willing to take the risk.

Four teens nearing their 30's go into the woods to summon a being from another world. Things take a turn when one of them comes back changed.

She is a very organized woman. She wrote everything down on excel sheets. Absolutely everything.

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded

When friends Jessie and Belle go away for the weekend and drunkenly hook up, what seems like an awkward slip up to a firmly heterosexual Jessie is in fact an incredible betrayal to bisexual Belle.

Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.

A dimension-traveling wizard gets stuck in the 21st century because cell-phone radiation interferes with his magic. With his home world on the brink of war, he seeks help from a jaded travel agent who he mistakes for a great sorceress. Without his powers to prove his identity, she has trouble taking him seriously, but finally agrees to reveal the secrets of our world in exchange for a lunch date.

Alessandro Lamberti, a successful entrepreneur is betrayed by his wife who is having a relationship with his business partner. This partner manages to get Alessandro fired from his own firm. From this event will follow a series of psychological actions that will have for consequence to alienate the the image of the father figure in the younger son’s eyes...

Two film enthusiasts who work for a boutique distribution company called Flicker & Fade meet Vince Miller, the elusive writer/director of 1979's The Easter Sunday Massacre, who, along with his film, hasn't been seen in over 40 years.

Hopeful job candidate Buck Boom is dynamic, forceful, confident and creative. But can he convince Mr. Mudgin, the personnel manager, to hire him? You see, Boom is an animated character in a live-action world and Mudgin is not used to dealing with someone who is different.