A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.
A man experiences what seems to be a simple power outage until he looks outside to find out something much more sinister may be happening.
A lonely young woman becomes obsessed with the sex lives of her next door neighbors, unaware that appearances are not what they seem.
A silent journey through the mysterious, dark heart of the city center.
One man. One church. What could possibly go wrong?
Three men drive into the desert at night to wrestle with an unspeakable evil.
Não Me Lembro da Última Vez Que Me Lembrei da Última Vez
As a grieving widow clings to the memory of her husband, a quiet friend watches from a distance-holding in his hands the sight of the fact that the man she loved was never who she thought, and that his death may not be what it seemed.
An experimental silent thriller that was shot and edited on 16mm film
Jacqueline learns her father’s wrongdoing, gives away his ill-gotten wealth, and begins a new life as Judex watches over her from the shadows.
Judex is taken aboard Diana’s ship, escapes with outside help, and the tables turn against his enemies.
The story resolves with forgiveness, reunions, and the engagement of Jacques and Jacqueline, while Diana meets a tragic end.
1917 Favraux, a corrupt banker, is blackmailed by the mysterious Judex, who forces him to confront the consequences of his crimes; the stage is set for the conflict over Favraux’s fortune and family.
Little Jean befriends the Licorice Kid, while Diana and Moralès kidnap Jacqueline and Judex continues holding Favraux prisoner.
Judex uses his dogs to track Jacqueline, rescues her from a villa, and deeper hints emerge that he is falling in love with her.
Diana’s gang exhumes Favraux’s tomb, Jacqueline is endangered again, and Pierre Kerjean’s connection to the whole affair becomes more important.
Jacqueline is taken to an old mill, Moralès is exposed as Kerjean’s son, and Judex continues protecting Jacqueline in secret.
Diana and de la Rochefontaine target Little Jean, but Judex and Roger intervene and reunite Jean with Jacqueline.
A flashback reveals Judex’s true identity and family vow of revenge, while his mother’s black-clad presence adds a moral and emotional pressure.
The de Trémeuse family confronts Favraux’s broken condition, while betrayals and mistaken identities drive the action forward.