vestige

MARIAN is an 80 year old resident of Meadow Park Rest Home. During a difficult visit, her daughter PHILLIPA is forced out and accidentally leaves something important behind. Wandering out of the rest home, the outside world proves challenging, as Marian battles her mind in an attempt to return her daughter’s beloved possession.

Documentary about what makes a house a home.

Set in Oulton, Leeds - some of the last remaining post-war prefabricated houses in the UK are still standing. Residents of this ex coal mining village now at threat of eviction share their stories of community and family as they look to their future. ‘Hanging On’ is a docu-drama that combines artistic visuals of residents suspended in mid air, literally hanging onto their homes and audio interviews about the strength of what happens when people come together. It reminds us about the struggles of people who are slipping through the cracks of society and what it means to have a home.

'From One Day To The Next' follows four elderly people through their everyday lives, observing how they cope with a gradual loss of autonomy.

In a dysfunctional family where the mother is a heroin addict and prostitute, beaten by her son, and the father is an ex-TV reporter, sleeping with his daughter and filming his son being beaten up, ‘Q’, a complete stranger enters the bizarre family, changing their lives for the better, finding a balance in their disturbing natures.

In response to political pressure from Senator Lillian DeHaven, the U.S. Navy begins a program that would allow for the eventual integration of women into its combat services. The program begins with a single trial candidate, Lieutenant Jordan O'Neil, who is chosen specifically for her femininity. O'Neil enters the grueling Navy SEAL training program under the command of Master Chief John James Urgayle, who unfairly pushes O'Neil until her determination wins his respect.

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

A young woman is forced to leave her apartment for reasons beyond her control. As she evacuates on her last day there, she analyzes the emotional journey that represented the place which despite the difficulties, she managed to call home.

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

Two unhoused men turned community leaders— John and LaMonté —organize their neighbors in the face of displacement, addiction, and a failing social system.

A man travels abroad intending to feel freedom from his mother's demands, but when he is away from home he feels the same demands from his environment.

10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.

The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.

The three friends Ertan, Kemal and Mehdi live in Kiel. They are foreigners, "Kanaks", as they proudly call themselves. For them, this term is an expression of their attitude to life. The trio keeps their heads above water with small-time crooks, but over time they are drawn deeper and deeper into a maelstrom of violence and crime. On a whim, Erkan acts as the protector of two prostitutes and makes enemies of two unscrupulous pimps. After a failed robbery, Ertan ends up in prison for a short time and Kemal is deported to Turkey. However, the two proud "Kanaks" don't let this get them down, on the contrary: together, the friends now want to build a drug air bridge between Istanbul and Germany. But the dream of quick money ends in death and grief for Kemal and Ertan.

In a north Indian village, a family reunites at their ancestral home to celebrate a new birth in the family. It’s a joyous, carefree occasion. Over the next two decades, through festivals and feasts, births and deaths, the film observes one house as it ages and falls to neglect.

After being harassed at the office by her boss, Eila gets sacked and tries to find a new job. After difficulties, she eventually begins to work as a model to a sculptor.

A working class family move into a new condo purchased after 11 years of hard work. They throw a housewarming party to show his co-workers when overnight a heavy downpour creates an extremely deep sinkhole that engulfs the entire building.