From 1968-1984, 60 minutes worth of history, on Super 8 film, were recorded. Out of this footage there were forty minutes of weddings and in each case it was the bridge that was related to our family. In reviewing this public record of interpreted events, I found myself living within memories of events that could not be seen. While watching these familiar faces represented in this official history, I recalled other versions of the events recorded, as well as other events that didn't get recorded but had occurred at the same time. I began to ask what else was being recorded here and whose histories were these images claiming to represent?
Home movies and their unique place in popular culture are the subject of My Father's Camera. Director Karen Shopsowitz weaves the history of home movies together with footage shot by her father--amateur filmmaker Israel Shopsowitz. Equipped with her dad's old Super 8 camera, Karen traces the history of home movies from the 1920s through to the amateur explosion of the '30s and '40s and beyond. She interviews a lively line-up of scholars and collectors, such as early members of the Toronto Film Club, a Japanese-American archivist who sees home movies as an expression of cultural diversity and a collector who hosts popular Webcasts that highlight new acquisitions.
From dentures as wedding presents to veneers, Keith Duffy traces the story of the Irish nation’s fast changing relationship with our teeth.
How long will workers be subjected to exploitation? This is the question posed by this documentary, which explores the employer-worker relationship in the country. It conducts a critical examination of the historical inequality in Chile, perpetuated by foreign imperialists and Chilean capitalists. In the same vein, it delves into the implementation of Agrarian Reform under three different administrations: Alessandri, Frei Montalva, and Allende.
Hosted by Damon Fox, this documentary takes us on a grim dive into the world of the coroner and what they see in their line of work.
Younost, une jeunesse russe
What is the secret of Germany's most successful hip-hop band? What makes them different? How did they make their mark in German pop culture and develop over the years? A behind-the-scenes look at a band that has written German music history and continues to do so.
Documentário Brasil Tupinambá
Tom Mangold's inside story of the scandal that rocked Britain, showing what it was really like to live with Stephen Ward as he became the scapegoat for the Profumo affair.
Wissam Charaf traces the recent history and identity of Lebanon through its political campaigns, PR imagery and pop videos.
Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.
Louder Than Guns is a journey through rural, urban, and suburban America that humanizes all sides of this country’s polarized gun debate through the power of music, civil discourse, and unexpected common ground. The film tackles the extremely complicated and sensitive subject of gun violence which has become politically divisive in an open and all encompassing approach, inviting people from all aspects of the country to join in a conversation and speak their peace.
MAMAN J'AI RATÉ LA PROMO - James Loup
An intimate portrait of Victoria Chorale — a Singaporean, alumni community choir led by Nelson Kwei, as he prepares them for a return to the international competition stage in Tokyo for the first time in 18 years. And possibly also their last ever. CODA is an observation of the relationship between the music and its Singaporean makers.
Director Yigal Bursztyn’s made-for-TV road movie takes viewers on a contemporary journey in which he traces the gospel and teachings of Jewish philosopher, Maimonides (aka the Rambam). Burszstyn goes from the Spanish city of Cordoba to Fes in Morocco, then onwards to Egypt and finally, Israel. In the course of this physical, geographical journey, Bursztyn also does a deep dive into Maimonides’s 12th century canonical work, The Guide for the Perplexed, which he uses as a tool to interpret present-day events and the conflicts between faith and rationale, and between religion, culture, and gender.
A collage of interviews analyzing the internet, political polarization, incel culture, the far-right, and the process by which young people can evolve towards extremism.
Documentary about ex-Labour MP Oona King. Only the second black female MP and one of the most media friendly of the 'Blair Babes', her support for the Iraq War alienated her from her Muslim constituency in London's East End, and led to her defeat by George Galloway and his anti-war Respect Party in the 2005 election. King asked her childhood friend Nora Meyer to make a film about the issue but Meyer was also opposed to the war and wonders if her friend's youthful radicalism has been dulled. (Storyville)
Filmmaker Richard Symons asks members of the British government to support his campaign for truth in the Houses of Parliament, and attempts to get a pledge from MPs that they will never tell a lie. (Storyville)
“Being French in 2024 means being able to serve as Prime Minister while openly gay.” With these words closing his policy speech on January 30, 2024, Gabriel Attal made history. The documentary *Homos en politique: le dire ou pas?* uses this milestone — the appointment and visibility of France’s first openly gay Prime Minister — as a springboard for a broader inquiry. Journalists Jean-Baptiste Marteau and Renaud Saint-Cricq travel across France to meet LGBTQ politicians of all generations, from Paris to rural towns. Eleven years after the protests against same-sex marriage, has France really changed? Through interviews with figures like Bertrand Delanoë, Sarah El Haïry, Jean-Philippe Tanguy, Franck Riester, and others, the film explores how coming out intersects with politics, homophobia, and representation — questioning whether saying “I’m gay” in politics is still an act of courage or simply a sign of the times.
This political documentary by Hady Zaccak delves into the world of Lebanese Shiites through interviews with three Shiite youths, each with a different political and ideological affiliation, in addition to a very valuable interview with late Shiite cleric Sayyed Hani Fahs. The documentary explores the Shiites’ relation to Beirut’s Dahiyeh suburb, a Shiite stronghold, as well as the difference between the political and social perspectives of these youths.