Big Business

This late entry in the popular "The Jones Family" series of '30s comedies has the family contending with a troublesome (and possibly crooked) uncle while trying to cut household expenses.

The Jones Family heads to Gay Paree in celebration of the 25th wedding anniversary of Pa and Ma Jones. It doesn't take long for the Joneses to be victimized by clever Parisian con artists.

Father sells his drugstore and the Jones family heads for New York to enjoy sophisticated city life. They lose all their money before deciding to go back home.

The Jones family (without father) head for California to open a bungalow court. To increase business they advertise for families with children and pets. A neighbor threatens to sue.

The Jones family goes to a convention traveling in a trailer. The oldest daughter gets involved with a convict, the oldest son has a love affair, and the youngest son gets into photography.

The Jones family is in an uproar when Dad's campaign for mayor appears sabotaged by an anonymous newspaper article.

The Jones family drugstore is robbed and it looks like the culprit is a boy the family has taken a liking to.

The Jones family patriarch, also mayor, is swindled into thinking the town swamp is a rich mineral deposit.

Excitement runs high when a family's farm is chosen as the site for a big cornhusking contest.

Father goes to an American Legion convention in Hollywood and the family goes along, visiting a studio a causing havoc on the set.

In Hollywood the Jones family runs into crooks who convince them they have inherited a gold mine at the Grand Canyon.

Jones family romp with father trying to convince son to follow him as a druggist, rather than becoming a pilot, until the son's piloting skills come in handy.

The Jones family's uncle George enters his trotting horse in the fair grounds race. The family helps raise the entrance fee and care for the horse.

The film revolves around Hildur, a national celebrity and socialite who has to look for a job when her boyfriend Jolli is sent to prison. She finds a job at Astrópía, a store that sells role playing books and her immersion into geek culture changes her outlook on life.

The Compleat Al (a title parody/homage of the 1982 documentary ‘The Compleat Beatles’) is a mockumentary about the life of "Weird Al" Yankovic, the Grammy® award-winning master of musical parody and rock-and-roll comedy, from his birth to 1985. Although a mockumentary, it is roughly based on Yankovic's real life, beginning with his childhood years, his high school and college days, and up through his early-career rise to stardom. This semi-concocted chronicle also contains classic moments from AL-TV, footage from his trip to Japan, and a somewhat embellished version of how he received permission from Michael Jackson for "Eat It". And to top it off, The Compleat Al contains eight "Weird Al" music video classics: "Ricky", "I Love Rocky Road", the award-winning "Eat It", "I Lost on Jeopardy", "This Is the Life", "Like a Surgeon", "One More Minute", and "Dare to Be Stupid"!

Two stories of Italians abroad: in Dubai, a truck driver who smuggles Ferraris for a living teaches the tricks of the trade to his young disciple; in Russia, a clumsy dentist experiences the consequences of sex tourism.

David, a waiter, finds an unpublished manuscript in a dresser drawer. To impress a girl, he claims to be the author. When the novel becomes a best-seller, the real author introduces himself and begins to take over David's life.

Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s 'The Lost Generation', Paul soon becomes entangled with a very attractive American woman and her fiancée, a businessman involved in shady property development deals.  It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.

Keith is a disturbingly maladjusted social outcast and self-described “troll” whose neuroses plunge him into an unstoppable spiral of self-obliteration as his crummy coupon-selling job, pitiful living situation and last remaining human relationships disintegrate around him.

In this feature-length film combining footage from classic Warner Brothers cartoon shorts with newly animated bridging sequences, Daffy Duck, after having induced laughter in an ailing millionaire and forestalled the millionaire's death for a time (as chronicled in Daffy Dilly (1948), is the beneficiary for the deceased millionaire's assets. But the millionaire's will clearly stipulates that Daffy must use the money for the common good, by providing a service, and should Daffy think of pursuing selfish aims, the millionaire's ghost will "repossess" his millions by making them disappear from Earthly existence. Under the pretense of community service, Daffy opens an exorcism agency and employs Porky Pig, Sylvester Cat, and Bugs Bunny to track and eliminate ghosts, ghouls, and other monsters, while Daffy secretly schemes to use his learned "ghost-busting" talents to rid himself of the millionaire's nagging spirit.