A New Mexico cattle man and his strong-willed daughter clash over land and love.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
A squatter is remanded in custody for trespassing. In a long conversation, her mother manages to irritate the investigating detective so much that the daughter is able to escape (for the time being).
A squatter spends his days with his dog in a decrepit, abandoned house until a discovery entices him out.
A group of tenants living in an old house are confronted with having to move out due to a renovation project the city has undertaken. The tenants decide to unite and come up with a strategy, but in the process—while the landlord and his aggressive attorney are chasing them—the tenants transform into the opposite of who they once were.
A young woman, Abby, makes a deal with her younger brother Danny, allowing him to seek refuge at her apartment after an illegal job gone wrong. However, as days pass, she begins to question the faithfulness of his side of the deal, as well as the oddly intimate relationship he shares with his mannequin-shaped package.
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.
"For Sale! Including 500 violent stone throwers from Hell", was the message from the controversial squat 'Ungdomshuset' in Copenhagen, Denmark. The film takes a balanced look behind the barricades and follows the definitive last year in the life of the squatters before all was demolished in March 2007 and riots broke out in Copenhagen.
Danny ponders a way for rival gangs to avoid violence at an upcoming dance.
This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.
A school teacher discusses types of government with his class. His students find it too boring to repeatedly go over national socialism and believe that dictatorship cannot be established in modern Germany. He starts an experiment to show how easily the masses can become manipulated.
A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.
What To Do In Case of Fire? tells the humorous and touching story of six former creative anarchists who lived as house squatters in Berlin during its heyday in the 80s when Berlin was still an island in the middle of the former eastern Germany. At the end of the 80s they went their separate ways with the exception of Tim and Hotte, who have remained true to their ideals and continue to fight the issues they did as a group. In 2000, with Berlin as Germany's new capital, an event happens forcing the group out of existential reason to reunite and, ultimately, come to grips with the reason they separated 12 years ago.
Documentary about a group of young idealistic friends in their squat in Amsterdam. Chased by the police and the press, they moved from squat to squat, with a clear message: don't make the city too expensive for the new generation of Amsterdammers. But living with such a large group and the flaws of the squat begin to take their toll. When the squatters collective falls apart halfway through the film, the filmmaker is left disillusioned and decides to confront the young squatters with her feelings of disappointment.
Un cafè a l'Hamsa
Nine-year-old Karo grows up with her parents in an Amsterdam commune in the Seventies. She leads a carefree existence in this utopia-for-adults. Everything is shared in the squat, but not everyone is able to honor these ideals. Karo gets confused because of the internal conflicts that start to divide the group. Karo slowly realizes that nothing can stay the same forever.
Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".
Two chipmunks have made a cozy little home for themselves in the wood-burning stove of an empty cabin. They sleep in a matchbox, wash up in an empty acorn shell filled with water and look at their reflections on the back of a spoon, which serves as their bathroom mirror. They even have a staircase made with a pocket comb. Invading their space are Mickey Mouse and his dog Pluto, who are all set for a swell vacation. They don't reckon on the two squatters. Pluto immediately discovers the presence of these two pests, but Mickey never finds out. All he knows is that when he tries to light the stove, the matches go out; he doesn't know the chipmunks are blowing them out. Soon, Mickey is outside chopping wood, while Pluto is alone with the chipmunks. Pluto wants blood, but he'll end up with a bottle of ketchup.
A newly single woman finds a seemingly perfect gentleman to sublet the spare room in her dream home, but she soon learns that his deceit goes beyond a phony name and application, and she has unwittingly invited a serial squatter into her home who won’t leave without a fight.
Filmed for television at the legendary SO36 Club in Berlin, 1983.