Refuge des oubliés

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

Barni tells a thought-provoking story about life and art.

A traumatic injury and disability, the filmmaker is also the subject, trying to find his way out of a coma like state. Searching for answers, he begins to interview strangers also experiencing extreme life circumstances.

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

Une Place pour Eux ? Vieillir avec la Trisomie 21

Hazoumè's "NGO (Beninese Solidarity with Endangered Westerners)" reflects on issues of immigration, economic disparity, and perceptions of wealth. Taking a critical eye toward the vast numbers of local and international nongovernmental organizations (NGOs) operating in his country of Benin, the artist created his own NGO to aid poor Westerners, thereby reversing conventional assumptions concerning poverty and the distribution of capital from so-called developed nations. In an attempt to expose the often hidden realities of the income inequality that exists in global Northern countries, he asked Beninese celebrities to solicit donations from Africans, who commonly associate Westerners with affluence. For Hazoumè, the driving concept of the project is to uncover such illusions: "To all appearances, it’s a matter of reversing the help, from south to north. But in reality—it is about making the Africans cogitate differently."

When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.

Filmmaker Ester Martin Bergsmark interrogates their response to a transphobic slur hurled at them following their move to Berlin. Exploring the root of violence and its nature, this is a powerful meditation on the trans experience and a treatise on how to move forward from fear.

Aboard a specially decorated motorhome made by Lulu, they will travel the roads of France for the first time, following "an itinerary as twisted as Lucie's spine" (sic). From the French Riviera to Mont-Saint-Michel, via the Arcachon basin, Hauts-de-France and Lot, before reaching the Champs-Elysées for a finish as prestigious as the Tour de France. On the agenda: a reunion with a fourth-grade class, funny gypsies, a haunted castle, oysters and white wine with the most famous oyster farmer, but also a few activities strongly discouraged for people with muscular dystrophy... and above all, big-hearted French people, as funny as they are generous, who offer us the best of their country through their hospitality.

The film portrays the trajectory and life of the “Agudá” people today. This is a group of descendants of Africans enslaved in Brazil, who returned to their homeland with the end of slavery, and also descendants, Brazilian and Portuguese, of slave traffickers, who settled in that region of Africa in the 18th and XIX. Present in Benin and Togo, the “agudás” assimilated the surname and part of the culture of their masters.

Despite the advent of science, literature, technology, philosophy, religion, and so on -- none of these has assuaged humankind from killing one another, the animals, and nature. UNITY is a film about why we can't seem to get along, even after thousands and thousands of years.

In the docudrama "Les Derniers Secrets de l'humanité" (The Last Secrets of Humanity), author and director Jacques Malaterre and paleoanthropologist and professor at the Collège de France Yves Coppens reveal the incredible adventure of Asian prehistory. How does science help to reconstruct these bygone times in images? Thanks to discoveries made at excavation sites and in analysis and genetics laboratories, researchers are now revealing this distant, vanished past.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

The filmmaker Jeppe Rønde has invited 10 of the world's foremost researchers - and a robot! - to rethink our relationship with technology and its dilemmas from the outside. Philosophers, anthropologists, archaeologists and programmers show us through their thought experiments that our relationship with technology is just as much about our relationship with ourselves.

Si j'étais sage-femme

What happens when a group of Finns travel to a tiny village in Benin to participate in a vaccination study? By participating, they can aid in the development of a diarrhea vaccine for children in developing countries – and, at the same time, have a different kind of vacation in West Africa. The complicated side of helping people and the clashes between two cultures rise to the forefront of Mia Halme’s delicious documentary film.

MY NEXT STEP follows a young Kunqu Opera artist YANG Yang(28 year-old) over the course of several years. It offers its audience a glimpse into the world of Kunqu, and a magnifying look into the ambivalence of a young man struggling to find a way out for a fading art.

Hijos de África

A unique visual journey through galaxies, deep into the subatomic world of elementary particles, and into the center of the sun. Witness the formation of the Earth and the beginning of life and the birth of thought. Shown exclusively at the Museu do Amanhã in Rio de Janeiro.

Voices in Wartime is a 2004 documentary that explores the human experience of war through poetry. Combining interviews with soldiers, journalists, and historians, it reveals how war affects individuals and societies across time and place. The film features poets from around the world – from Homer and Wilfred Owen to Shoda Shinoe and modern writers in Iraq and Nigeria – showing how poetry expresses the pain, trauma, and truth of conflict. By linking verse with real-life accounts, Voices in Wartime highlights how poetry helps us understand the emotional and moral impact of war.