Largely ignored and left to their own devices, a group of unassuming teenagers in late 80s and early 90s Sioux Falls, South Dakota created their own culture, community, and economy. And when they moved out into the world at large, they brought what they learned along with them. I Really Get Into It: The Underage Architects of Sioux Falls Punk is a story about the tenacity and ingenuity of youth, finding and following your convictions, and how the kids you least expect often make the most noise. Shot on location in eight cities and assembled from dozens of hours of archival video and hundreds of photos, the documentary features interviews with Larry Livermore (Lookout. Records), Ian MacKaye (Fugazi), Mike Park (Skankin' Pickle), Rebecca Hanten (Cadillac Blindside), Terry Taylor (Hammerlord), and dozens of current and former members of the Sioux Falls all ages music scene.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
"This Is What Trans Punk Looks Like" is a documentary about the transgender punk culture in Texas and the beauty of community. It features several interviews with trans individuals within the scene, talking about their childhood experiences, Texas' political climate, and what punk means to them.
Lorraine Carter lives a quiet, contemptuous life in the mundane suburbs of Lincoln. She is restless, discontented and dreams of what once was and what could have been. Having once lived on the road, gigging as the lead singer in a punk band, Lorraine was a real rock star, or came close to being one. With the band's burgeoning dreams being cut short, and life sweeping her forward, Lorraine's life as a proud punk-rocker seemed over. Swapping punk for a nine-to-five, and the microphone for motherhood, Lorraine watched from the margins as her life sped by. Beaten, forgotten, and belittled by the world around her, Lorraine grows tempestuous. She yearns to reclaim her creative identity, to express herself and to fight for what she believes in. She prepares to come to terms with her past, to overcome her fears, and to take the stage once again. With a microphone in hand, she sings a simple phrase. Keep the faith, it’s all we’ve got.
"Marques Mendes & O Valor Da Experiência" was a "music" "group" created with the purpose of performing on the 29th edition of Caldas Late Night. The intention of the project was to carry out a DIY performance of noise and rock music, played by people with no experience. This video documents that concert, which took place on the roof of an old traffic police station.
In Medellín, Cuchas, a Queer punk band, challenges a scene that claims to be rebellious but rejects new forms of dissent. Through their music and daily lives, the documentary follows their journey of identity and resistance in an environment that makes their existence uncomfortable.
In the 1980s there was a punk band in Stockholm who put out one single, got torn apart by local music critics and went away. 35 years later they are contacted by a music label from New York interested in their music.
A documentary that explores the reality of the LGBTQIA+ community through the perspective of those who, excluded from their families of origin, have built new bonds and forms of belonging. At the center of the film is the House of Windowsen, an emerging presence in the Italian ballroom scene, made up of Gian, the overall father, Morgan Sasha, and Concetta. Following their lives between Milan, Rome, and Naples, the film weaves together personal experiences and shared journeys, offering a direct portrait of ballroom culture and the dynamics of a chosen family that is atypical and non-nuclear. It is a narrative that highlights identities, relationships, and the need to create a space in which to exist.
The same place, the same questionnaire, seven girls from generation Y, gathered for the same project: "Are you ready for porn?" Their weaknesses, their reactions, their attitude facing a camera... A closed door to enter the porn industry.
A documentary chronicling the history and final days of the Crayola House, a legendary DIY punk venue in Harrisonburg, Virginia. Through archival footage, live performances, and interviews with musicians, artists, and former residents, the film captures the spirit of a community built on music, creativity, and collective resistance as it faces displacement and the end of an era.
London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.
This documentary dismantles the black-and-white social stigma that has long been attached to the punk community and often shaped by narrow misperceptions that equate it with deviance. Through an empathetic approach, the documentary “Screams on the Streets” portrays the daily lives of punk groups, aiming to create space for public reflection so that identity is not used as a basis for discrimination against others. The message we seek to convey is simple yet deeply significant: remember that human rights are universal and cannot be limited by class, race, ethnicity, tribe, culture, appearance, or any other distinction. Our hope is to open new perspectives and highlight that human rights are not reserved for a select few, but belong to all people on this planet. Punk is not a crime.
Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.
Growing Aside: A Math Rock Documentary
When a group of young DIY artists in Santa Fe can’t find a door into the art world, they blow open an entirely new portal with their grit, passion, and tenacity. Within just a few short years – and with a little help from George R.R. Martin – this group called Meow Wolf ultimately hits a cultural nerve and garners massive, unexpected success with their exhibit, House of Eternal Return.
What drives us to keep going in a world that grows increasingly hostile toward our existence every day? Squirm Gallery, a DIY music venue, finds a way forward in a rapidly gentrifying Denver.
Post-Democracy Days follows a young journalist covering Donald Trump’s trial in New York City, where unexpected relationships form amid political spectacle, ambition, and a nation struggling with division.
Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.
Handmade Nation documents the new wave of art, craft and design that is capturing the attention of the nation. It is the feature film debut of director, author, artist & curator Faythe Levine. Levine traveled to 15 cities and covered more than 19,000 miles to interview artists, crafters, makers, curators and community members.
A home video style documentary following a band of trans women as they tour westward across the United States and Canada.