Crying Over Dead Cats

July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)

A man leaves suddenly. Two men chase him. A woman in black and white. The landscape – the one outside and the one inside of the characters – takes over. Landscape of images and words.

In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.

A woman reflects under the parapet.

A father and son, affected by the tragedy at a railway station in Serbia, grieve in different ways.

A conversation between reality and consciousness.

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

Lovely Life

MiniDV visions portraying the anguish of a curious artist who becomes obsessed with replicating images of a woman he sees in his dreams.

A mentally unstable teen transforms himself into a clown to deal with and mask his own disturbing, nihilistic worldview and deteriorating mental health. the further the film continues, the more prominent his descent into madness becomes.

Atali'i O Le Crezent (Sons of the Crezent)

Feeling not real? Let me go insane. An homage to the director's mind. A take on body dysmorphia and the bloody tale of self love.

After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.

'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

Human, Tears, Art

Water hands is the literal Chinese word for ‘sailor’. The sailor himself remains off-screen in this film, just like the woman who is waiting for him. The tight black-and-white images move through Singapore and Montenegro, while a logic all of its own links the various worlds and narrations.