Behind the Camera

A smartphone is found at the TV shoot for a show about the Sea of Trees near Mount Fuji. The phone contains videos of three high school girls who met online: Ami (Okuma Ami), who is suicidal, Hinata (Kohinata Setsu), who yearns to witness the instant someone dies, and Mitan (Otonari Mirei).

In the vein of "The Office" or "Man Bites Dog". "Split's" mockumentary style sees a film crew follow two Hitmen throughout two days of their lives, as they go through a list of targets and a day to day routine. This is "The Office" meets "The Sopranos", this is S.P.L.I.T.

What Doesn't Kill Us is a mockumentary about rehabilitated zombies facing the adversities of living in a time when they aren't yet treated equally to humans.

With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Claire is about to get married and she goes to Las Vegas with her sister and two friends for her bachelorette party. Things quickly spiral out of control.

A lonely woman trapped in an abusive marriage finds solace in her online lover -- a man she only knows through online video chatting. Unknown to her, she is also being secretly watched via her webcam. After the woman suffers a brutal beating, her lover proposes a bold plan -- a way she can kill her husband and claim self-defense. But the plan goes horribly wrong.

After losing his wife, a man reunites with his church buddies to film the hunting show they’ve always wanted to make together. Before long, he senses a dark presence in the woods eventually bringing him face to face with death and his faith.

Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE.

So, what’s the deal with Comic Relief Zero!? Sit down and shut up, so we can tell you! But seriously folks, sit down and shut up, because those dumb-faced, giggle-grabbin’ goof-troupers at Everything Is Terrible! are dishing out a stand-up comedy special! This special is the opposite of special; featuring today’s hottest ventriloquists, racists, prop comics, sexists, impersonators, homophobes, and talk show hosts in their hate-filled prime! Are you oppressed and underrepresented in society? Well then, watch out! Let’s pull back the banana peel and take a head-first descent into the brick wall of our own mind! Take my life... please!

Cults are real...this 'mockumentary' isn't. Godfather of Gore movies Herschell Gordon Lewis plays a detective who tells the story of the Ecomm Cult, operated by the polygamist Doctor Smoke.

Three shorts and three supplements tackle the central theme of 'compliance'. A wanna-be actress findsherself trapped between her traditional loyalty to her parents and her strong-willed director; a police officer and his robot sidekick resort to unorthodox methods to fight crime; a structuring of a PSA to promote social sensitivity is taken to absurd extremes.

After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.

A haunting in real time. A beautiful young woman is subjected to a grueling night of terror - all accomplished in one take, as she investigates paranormal reports at an abandoned facility.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.

Susana has gathered all her friends to celebrate a very special evening: it's Toni's birthday, and for the first time he's away in Germany, but the distance is not going to stop them from celebrating together. No one suspects that after the party their lives will change forever.

A documentary crew starts to make a documentary about an Auto Rickshaw driver in Mumbai. As they dig deeper into his life they discover angst, sexual frustration and paranoia that leads to a terrible end.

A family imprisoned by intruders is forced to play a terrifying game of "Kill, Or Be Killed". As the night unfolds, the game's mysterious rules become clear, and the family realizes their nightmare is being streamed live to riveted viewers all over the world, who are compelled to KEEP WATCHING... not knowing if what they're seeing is real, or staged.

A documentary show host finds himself being forced to tackle an old controversial viral video by the network he works for. If he doesn't comply he will lose his job, the jobs of his team and his show. The host and his team are placed in a high stress position that leaves the host diving into the video in hopes of exposing its falsehood and humiliating the network.

Jimmy meets Anu on an online dating website and decides to marry her. Jimmy's mother entrusts his cousin Kevin to get details about Anu. Now it's Kevin's turn to search for his cousin's fiancee who vanished without a trace, only to discover dark, shocking truths about her.