Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.
You wouldn't even believe me if I told you. But like might have something to do with the title...
A horrific version of the classic children's film.
Deep underground, a lone scientist mans a discarded research facility struggling to deal with extreme boredom, a desperate voiceless companion and a mystery he'd really rather not have to solve.
There’s an infinitely fine line between the gorgeous and the grotesque. We’re simultaneously fascinated and repulsed by sweaty, messy, bodily parts. We can play pretend that we’re cerebral as a species but we embrace our fascination with viscerality.
It's literally "ride-or-die" for newly licensed teen driver Jemma and her friends.
A woman struggles to reconcile the prospects of raising her unborn child alone, and her fears become vivid nightmares.
A boy is awoken at night by a presence. In his bed.
The Black Ghiandola is a story about a young man risking his life to save a young girl he has grown to love, after his family has been killed in the Apocalyptic world of Zombies.
A disgruntled cook uses rotten meat and feeds it to concert patrons which causes them to turn into zombies.
Late at night, KONG Xianyun and her younger brother Yuanyuan escape from their family house. They trek into an abandoned school, where Yuanyuan’s memories are awakened – the sound of books, piano, and laughter. Fire! Fire! Fire! Fire engulfs everything. Adapted from The Song of Life by the worldrenowned sci-fi writer WANG Jinkang, this speculative short contemplates on the future of AI. Soaked in a never-shredding atmosphere and accompanied by the secret tune of a piano, DOUBLE HELIX tells a gripping story of intelligence robot, family trauma and a pair of run-away siblings who trek into an abandoned school.
A computer program named A.D.O.M tries to create a living being that will help to release both of them from their void. This film was created exclusively with stock video and royalty free music. Stock Elements from pixapay.com Music from filmmusic.io "The Descent" by Kevin MacLeod (incompetech.com) License: CC BY (creativecommons.org/licenses/by/4.0/)
A trauma victim joins a Utopian farming community only to find she's bitten off more than she can chew.
In the midst of a deadly outbreak, a man returns home in search of family.
Two wounded girls run through the woods towards a house, where a man waits with a gun.
Out There
Set in a suffocating over-commercialized future, a young boy's desire for success and status leads him into a terrifying and deadly new reality through the lens of a mysterious VR game. His desperate father must now race against both time and technology to save his dying son. But the boy is the only one who can save himself, and he must do it before becoming another faceless pawn of the Forest King. Adapted from the poem "The Forest Tsar" written in 1818 by Vasiliy Zhukovsky.
Ben Harkin has the perfect life. A loving wife, wonderful kids. However, on this day, with an ominous storm approaching, Ben will have to face his ultimate fear and lose the ones he loves one at a time. Will he uncover the dark secret that is taking his family piece by piece or will he be doomed to find what lies between heaven and hell.
On a dark October night, a young woman finds herself being followed by a mysterious figure.
Ava is a child with a limitless imagination. She is a city kid who loves to play in her bedroom and letting herself get carried by her vivid dreams. Sometimes her dreamy fantasies find a way out of her porous bedroom walls and she finds herself riding on her mini motorcycle on infinite highway tunnels. Sometimes, reality finds its way back into her bedroom bringing her into dangerous situations. How thick can the child’s bedroom walls be? The films points at the boundaries and ambiguous limits of the child’s imaginary when facing violence.