The Sense of Earth

It’s Karla’s first birthday away from home. And music will be her way back.

The film tells the story of Imri, who at 19 goes to live in Tel Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young person’s life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who are themselves in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero’s misconception of Japan and ours of them. The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene. (Taken from the Filmmaker's Website:

A gay artist flees the repressive laws and war in Russia to go to Berlin, leaving his boyfriend behind. Meanwhile, life in Berlin turns out to be less inclusive he had expected.

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Marcelo was taken to Paris, where he has lived since he was 12. After the sudden death of his mother in 1992, he returns for the first time to the place where he was born. As he walks through the city of his childhood, a series of memories unfolds, revealing a story of friendship torn apart by tragedy and the social tensions that marked Brazil in the 1960s, leading him to question his identity and his place in the world.

Three men—from China, the Democratic Republic of Congo, and Palestine—live together in a squatted apartment in a seemingly abandoned building in Paris. The group is bound together by their shared experience of life in exile and the fleeting nature of their possessions, relationships, and sense of home, but the temporary safe space is threatened by outside forces and events.

Qazi is the story of a young Pakistani refugee who is forced by economic and family circumstances to seek his fortune in Europe.

Magdalena makes a journey to find her missing son, who disappeared on his way to the border with the United States. Accompanied only by her will and her memories, Magdalena enters a violent and desolated territory, the migration route in Mexico.

A family tribe of Cro-Magnons faces hardships, such as hunger, animal attacks, Neanderthal attacks, and death from injuries as they migrate to find a more bountiful land to live on.

Somewhere in the dreary zones of Mumbai's film industry, stuck between star-cult, superstition and the daily gridlock, Camera Threat explores the ambivalent, and sometimes paranoid relationship that this film city has with the moving image itself. Seated on a casting couch, two actors are getting trapped in their impromptu conversations on the unwanted side effects of a world that no longer bothers to tell facts from fiction. An expanded multi-genre film within the constraints of the so-called Masala Formula popularly known from Indian cinema.

[poem_body_memory_voice] None of them belong to each other. All of them belong to themselves. A layered accumulation —___- a poetic exercise on relating*_on_love, migration, and mourning.

A sequel to the 2011 "Going to the Store" and 2013 "Late for Meeting" animated short films, which feature a silly, disjointed journey in the traditions of dadaism and surreal humor in film.

For years, the immigration officer Dr. Ludwig Sarheimer and the chairman of the Turkish community Cengiz Demirkan in Cologne have been fighting a small war. While the one, as a hodja, upholds the traditions of his homeland and brings Anatolian brides to Germany for Turks who are willing to marry, the other wants to prevent exactly that. Cengiz's daughter Lale Demirkan is at the center of these ongoing disputes. At home, the young woman plays the well-behaved Turkish daughter, but as soon as the German studies student leaves the house, she takes off her headscarf and sense of tradition and has fully arrived in German life. In her free time, she practises martial arts fighting techniques. So far, she has successfully fended off potential grooms.

As ​Yiling, a Chinese marine biologist living overseas, travels to Newfoundland, Canada, to study a repeatedly stranded humpback whale, the coastline awakens memories of the coastal hometown in China she has not returned to for years. As the whale migration intertwines with human drifting, Yiling gradually learns to confront loss, grief, and the meaning of belonging.

A migrant working-class couple, after losing their daughter to an ill-fated destiny, seeks friends in each other.

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.

The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.

Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.

Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.

ADRIFT- People of a Lesser God is the story of an incredible odyssey made by several-times Pulitzer Prize-nominated undercover reporter Dominique C. Mollard. In this gripping story, Mollard sails with 38 African migrants, among them a five-month-old baby, out of West Africa on a quest to reach the golden shores of Europe. All aboard are packed together like sardines in a leaky fishing canoe as they set off under full moon on their harrowing journey. ADRIFT-People of a Lesser God captures the struggle of these desperate migrants as they brave their way across the cold Atlantic, risking their lives in search for a better future. —Ziad H. Hamzeh