You Are The Universe

"statues of yesterday" is a structural film that explores the nature of memories and their relation to time.

A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.

In this experimental short film, a young man and woman enter into a relationship with one another and quickly learn the ups and downs of intertwining their life with the one they love.

A burnt-out globetrotter, disconnected from his family, wanders into a psychedelic adventure in Kathmandu.

Omnibus film with 13 short films by students of the HfG Ulm

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

A lonely man tries to enjoy a regular evening

The turkish ambassador is said to visit a village in Hungary.

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

A pseudo-documentary follows an unnamed raver obsessed with the extreme sub-genre "gabber," as he drifts through his lonely day by day, far from home and far from his culture.

Two young film enthusiasts from downtown São Paulo are doing a film rehearsal and, for the final scene, inspired by "The Man Who Left His Will on Film," they want to film a projection onto a woman's body.

Our hero, Halvar the Brave, seeks vengeance aboard a witch-born chopper, journeying across a psychedelic landscape on a quest to defeat the deadly beast Mördvél for the slaying of his bride.

A game of Monopoly between 3 friends where moves on the board play out in a parallel world

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

Central explores the limitations of sanity as different facets of her persona usher her through psychosis.

An abstract exploration of memory and loss.

To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.

A loop of a guy in Maine hanging out in his room.

"After the experience of making the film for my thesis defense, and, of course, translating and working on the essay Amateur vs. Professional [Amateur Cinema], particularly Maya Deren’s definition of amateur cinema, it became a concern of mine. After a difficult year, I decided, based on a personal manifesto shaped by my surroundings [Paramedia], to make a film that I myself would like to see more of. A film created through image, montage, and the possibilities specific to the cinematic apparatus, with an emphasis on organicity. At the same time, it was a response to the question of mainstream cinema versus art cinema, and ultimately an attempt to arrive at a third option, one that is completely separate from those two modes of cinema: experimental cinema, structural, abstract, expansive, and so on. The final product was Me, I'm Not."

Corazón en el cenicero