The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)
A Canadian returns to find his fiancée is married and schemes revenge.
Kara, a senior college student, tried to celebrate her birthday by decorating the living room in her house. She bought decorations through an online instant shop, but her actions reminded her of how special birthdays were to her when she was a teen. But now, it reflects the reality that growing older also means responsibility and the pressure of becoming an adult.
Desmayada
A family portrait session goes horribly wrong, as secrets and jealousy bubble to the surface under the photographer's watchful gaze.
Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Mi-ae is a clerk at a factory. She thinks she’s ugly and is obsessed with everything related to beauty. Her low self-esteem made her anti-social, so she never dated anyone. One day, she discovers the world of online dating and a man In-woo comes into her life.
You wouldn't even believe me if I told you. But like might have something to do with the title...
A horrific version of the classic children's film.
Deep underground, a lone scientist mans a discarded research facility struggling to deal with extreme boredom, a desperate voiceless companion and a mystery he'd really rather not have to solve.
A short scene of a mother and her little son playing ball games on a set of steps together.
There’s an infinitely fine line between the gorgeous and the grotesque. We’re simultaneously fascinated and repulsed by sweaty, messy, bodily parts. We can play pretend that we’re cerebral as a species but we embrace our fascination with viscerality.
It's literally "ride-or-die" for newly licensed teen driver Jemma and her friends.
A woman struggles to reconcile the prospects of raising her unborn child alone, and her fears become vivid nightmares.
Regresa pronto a casa, querido Jules
A boy is awoken at night by a presence. In his bed.
A short film in which an innocent northern girl discovers her sexual identity on a trip to London, where she goes into a lesbian bar/club, and considers revealing her gayness to her mother.
An everyday conversation between Marta and her mother turns into a tragic race against the clock when Marta receives a phone call from Iván, her six-year-old son, who is on holiday in France with his father.
In a big city, a solitary computer technician meets an intriguing man on a website, where people share their fantasies.