Six Five Four Three Two

Three stories told simultaneously in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a student to re-engage.

Paris, France, during the First World War. While thousands of soldiers die every day on the battlefields, Henri Landru, a seemingly respectable furniture dealer, married and father of four children, relentlessly feeds his own sinister factory of death.

Danish social democratic propaganda film. During the Occupation, the young freedom fighter Søren had a good working relationship with a comrade in the resistance movement, despite the fact that Søren was a social democrat and his comrade a communist. After the liberation in May 1945, the differences that had been less important during the war begin to stand in Søren's way. Both his friendship with his comrade and his relationship with the wealthy Inger fall apart in the summer of liberation. But through his work in the Social Democratic Party, Søren experiences a renewed enthusiasm and resumes his relationship with Inger. Together, they actively engage in the party's work and both see it as an extension of the struggle for freedom during the occupation. Denmark's entry into NATO is particularly important.

A sweeping, cinematic pseudo-documentary history of human flight, starting with the failed attempt of Icarus, and ending with the aviation triumphs of the fascist regime.

The documentary tells two very different human fates in the 1920s Soviet Union. Nikolai Vavilov was a botanical genius, Trofim Lyssenko was an agronomist who made great promises and fake inventions. Each of them tried to solve the country's nutritional problem, but only one succeeded.

Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…

Compilation short film about the Communist Revolution and Soviet Union.

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.

In this reenactment of a propaganda documentary, a woman is falling prey to the role assigned to her in slow motion. Upon her arrest, diplomat Mária Kerényi is interviewed by the state television. Her story in espionage confronts the mechanisms of autocracy and the concept of guilt in a closed society.

Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.

From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?

The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.

A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.

The narrative covers a century of institutional history, revealing how a small group expanded its mission and membership to achieve widespread influence.

Heroic Struggle in Snow and Ice is a 1917 Austro-Hungarian propaganda newsreel film produced by Sascha-Film for the Imperial and Royal War Press Headquarters. The film is hand-colored and presented in two parts. It depicts the fighting on the Alpine Front between Italy and Austria-Hungary.

18. April

A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.

Atlantic Ocean, off the coast of Iceland, July 9, 2016. The surprising discovery of a canister —containing four reels of The Village Detective (Деревенский детектив), a 1969 Soviet film—, caught in the nets of an Icelandic trawler, is the first step in a fascinating journey through the artistic life of film and stage actor Mikhail Ivanovich Zharov (1899-1981), icon and star of an entire era of Russian cinema.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.