A captivating story that takes you inside the heart of the Argentina national team camp of "La Albiceleste". Witness the incredible moments since they added a third star to their iconic jersey. Listen to their unique perspectives as they reflect on an unforgettable tournament, sharing the deep sense of connection that winning has forged between them and a nation behind them. A story about passion, dedication, and unity that make Argentina's victory truly memorable.
María is a taciturn and reserved Argentinian woman who lives in Barcelona. The death of her grandfather, the last survivor of the family, forces her to return to Indio Muerto, a lost corner of Argentina. After an interminable trip, she arrives at the inhabited field only by the persistent wind and clouds of dust that increase the solitude of the place. Unexpectedly, she decides to stay.
Anecdotes and testimonials about the performance of Argentina in the 1986 FIFA World Cup. The whole story behind the Cup.
DOLORES tells the story of a young woman of Scottish descent who returns to the Argentine pampas after her sister dies, to take care of her eight-year-old nephew- but drawn also by the juvenile love she still feels for her English brother-in-law, Jack. Her love story develops in the context of the onset of World War II: while the echoes of war get ever closer, the dispute between Germans and Anglos turns personal when Dolores is seduced by a neighbouring landowner of German descent, Octavio Brandt- he becomes an unexpected love, and from now on Dolores is torn between Octavio and Jack, as Argentina changes for ever. In a society dominated by men, Dolores must now also forge her unique destiny.
Spanish conquerors from the XVI century arrive in America to establish a population.
Documentary of music Chango Farias Gomez
Felipe a wealthy businessman who has been quadriplegic, due to an accident, is looking for a therapeutic assistant. There are several highly qualified, but he decides to take the assistant of his gardener, Tito who has decided to resign.
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
A portrait of Argentine libertarian politician Javier Milei.
The construction of the Obelisco in Buenos Aires, Argentina.
Eva Perón, icône et pasionaria
In 1968, Donald Crowhurst, an amateur sailor, endangers the fate of his family and business, and his own life, blinded by his ambition to compete in the Sunday Times Golden Globe Race, attempting to become the first person in history to single-handedly circumnavigate the world without making any stopover.
Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.
After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.
A man tries to rob a bank and the bank's clerk, a yuppie, pretends the thief has kidnapped him to help him run away. While they're running away, they meet a girl who becomes part of the team.
His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.
As he sits on a present situation where his childhood's expiration date gives way to an uncertain adolescence, Agustín decides to create a small freedom spot far from his daily routine.
Santiago Maldonado disappeared in the midst of repression against a Mapuche community that claimed to Luciano Benetton for his land. His body was found 78 days later. The need for truth and justice continues
A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.