Algol: Tragedy of Power

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

Set during the Balkan Wars, The Captive tells the story of Sonia, a young woman living in Montenegro and left to care for her younger brother Milos and the family farm when older brother Marko goes off to battle. Unable to handle the day-to-day tasks following her brother’s tragic death, help comes in the form of Mahmud Hassan, a captured Turk nobleman, now a prisoner of war. Tasked with helping Sonia, their initial frosty relationship soon melts into love. As the war rages on Sonia, Mahmud and Milos will face near-insurmountable obstacles in their quest for a better life amidst the hell of war.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

To satisfy her controlling mother and secure both of their futures, a daughter hesitantly enters a loveless marriage to a wealthy businessman. Years later, after she has uncovered and overcome her mother's deceptions and manipulations, her newfound happiness is threatened with the appearance of a mysterious "man from the sea."

A dystopian future set in a totalitarian world , where a young man's life is about to change.

Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.

Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

The film is based on a story by Guy de Maupausant. The story details several years in the life of convent-bred Angela (Mona Mårtenson) who leaves her convent in Italy to go live with her aunt Peppina (K. Swanstrom), whose husband Giambastista wants to take advantage of her. She flees and takes refuge with the painter Frank Wood ( handsome Louis Lerch) and winds up in a romance with Wood. Alas, Wood is already married, and when Martenson finds out, she returns to the convent in disgrace. On the verge of shutting herself off from the world and taking her vows as a nun, the heroine once again crosses the path of Wood, who is now free to marry her. Sandra Milowanoff has a big scene where she commits suicide on discovering that her husband no longer loves her.

A student comes up with various schemes to avoid paying a tailor the money he owes him. Considered to be a lost film.

A young couple jump into the sea as part of a suicide pact. The man is rescued and subsequently discovers that his lover is also alive and working in a dance hall. Considered to be a lost film.

At a train station, a thief steals from a couple while the passengers are getting off the train. The boy runs after the thief and disappears. The girl, alone and lost, decides to go out into the street.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

An aging doorman, after being fired from his prestigious job at a luxurious hotel is forced to face the scorn of his friends, neighbours and society.