Two of the models of Toulouse Lautrec take a happy break from their posing.
The homeless Polycarpe steals a rifle from some careless society sportsmen and goes on a mindless shooting spree. (MoMA)
A mischievous child feeds his father a laxative, leading to disruptive bouts of intestinal disorder—and an unexpected reward. (MoMA)
Artheme takes his elderly uncle for a walk in his wheelchair, but abandons the invalid in the woods overnight when he spots a pretty girl. (MoMA)
A jolly housekeeper brings new meaning to the notion of “home entertainment” with a handsome new portable phonograph that causes people, furniture, and buildings to rock and roll through the magic of stop-motion animation. (MoMA)
In a scheme that is all the more convincing on silent film, Polydor attempts to fool a high-society mob with a no-talent singer who lip-synchs recordings from a hidden Gramophone. (MoMA)
Singer Pik Nik tests the power of song with an earth-shaking voice that causes people to pass out, walls to collapse, cars to go backwards—and eventually lands him in jail. (MoMA)
John and Flora meet at a ball, but neither can do these modern dances, so they sit out… and run into each other later at a dance studio. Bunny exudes his usual Pickwickian charm. Miss Finch gets involved in a nice bit of physical comedy when her gawkiness makes the dance lesson less than successful.
Lend Me Your Wife
Hughie Mack, Eddie Dunn, and Frank Kingsley secretly leave their homes to enjoy a night out without their wives' knowledge. The wives find out about their husbands' escapade and decide to act. The wives employ a female detective to "vamp" the husbands, hoping to gather grounds for divorce. The rest of the short film details the ensuing comedic situations as the detective attempts to ensnare the men and they try to avoid getting caught.
Snub Pollard and Marie Mosquini are to be married, with Ernie Morrison as their best man. It's the usual gag-filled Pollard one-reeler, with William Gillespie pointing out that if she wants to get married, he has a marriage license too.
The story involves various misunderstandings and entanglements that occur between two married couples, the Browns (Glenn Tryon & Vivien Oakland) and the Dazzles (Tyler Brooke & Anita Garvin). The two couples have apartments across the hall from one another, and all four plan to attend a costume ball together. But after each husband expresses unhappiness with his wife's costume the women angrily refuse to go to the party. The two husbands decide to go "stag" and pick up dates, but when Mrs. Brown changes her mind about attending, and Mr. Dazzle and Mr. Brown switch costumes, mix-ups result.
The Newlyweds move into their new flat and prepare to entertain their uncle.
Sweedie, the cook, decides that it would be nice to learn to swim, so goes to a "dry land" swimming class for instruction. She is thrown out of the class after fighting with several of the members and goes home, where she fills the bathtub with water and proceeds to learn to swim.
A Change of Complexion
Exasperated by his playboy son, a wealthy man sends him to Canada to become a Royal Canadian Mountie, in hopes that the young man will learn something about life.
They were two hobos, black and white, master and man, a regular slave driver white, while black went off for the eats. But Cleopatra and her sweet-potato pies ended the despotism. She saved the "lovin' man" of her race. Tabasco and an officer of the law did it, while white made a fast retreating speck up the track.
Cold Hearts and Hot Flames
Pal the dog saves a kidnapped baby from raging waterfalls and hungry alligators. (MoMA)
Intelligent monkeys, dogs, and ducks enact a spoof of boxing dramas. (MoMA)