De man die zijn snor in brand stak

Concert recording of the K3 show at Ahoy, Rotterdam. Karen, Kristel, and Kathleen bring their greatest hits back to life in a nostalgic journey filled with glitter, dance, and music. Together with their original fans, they celebrate the magic of the K3 Originals.

When a penny-pinching mother-of-the-bride accidentally leaves a flower shop with a £40,000 orchid instead of cheap tulips, her daughter’s wedding spirals into chaos — giving the underestimated groom the perfect chance to expose his overbearing mother-in-law’s true colours and prove that love matters more than money.

A class of thirteen-year-old danglers persuades the school administration to start speaking proper civilised Dutch. This takes place at a boarding school with a conflict situation between a young, idealistic and a brutal teacher.

The Leader Will Come

In the suburbs of Denver, the U.S. secretly manufactured thousands of atomic weapons, leaving behind a toxic legacy that will persist for generations.

In a little more than 2 minutes we see how an old woman goes from being present to being lost inside herself, due to her senile dementia.

A movie shot in almost one single take. The parable should not be interpreted in words.

Who Wants War

Love, Oleksandr Dovzhenko's cinema, the 20th century... These concepts make up the formula of life for two people. Heavenly love is all that is left for Maria Volkhovska, the widow of the prominent Ukrainian film actor Petro Masokha, who played the leading roles in Dovzhenko's films "Ivan" and "Earth".

About love and loyalty, which helps to withstand the trials of fate in the most difficult times. The film features Svitlana Knyazeva and Leonid Osyka, Kateryna and Boryslav Brondukov', Kostyantyn Stepankov and Ada Rogovtseva.

Esteban (18), a shy film student, returns for a few days to his hometown of Cañete. There he will try to film the places that marked his childhood, only to discover that most of them are falling apart, just like his memories.

Through the juxtaposition of images, the documentary proposes to show the juxtaposition present in Chilean society and how it is capable of lamenting the coup d'état and a week later celebrating the Glories of the Army and the “18th”.

Les petits secrets de L'Équipe du Soir

En attendant les éléphants

Fukazawa Hiroshi chronicles the efforts of Teddy Chen to make Dark October, a film about Sun Yat-sen

A retold biblical story of Noah to rescue all the animals in the world.

Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.

Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.

Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.

Haskell Wexler revisits the themes of his previous work "Medium Cool" on the occasion of the Occupy demonstrations in Chicago in 2012.