The Treasure

Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?

A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?

Three stories connected by the motifs of water and death told in neorealist style.

Slovenia, Australia and Tomorrow the World is a drama film with elements of comedy. The central character Boris works as a machinery maintenance man in a factory, hoping that his work and efforts will be awarded in the future. And indeed, he is given an opportunity by Cosmica, a company providing door-to-door sales and counselling services as well as investment in securities.

A TV journalist making a documentary in a factory finds out that the workers have been on strike and tries to analyze the strike in his film, but is thwarted by the TV company. His failure at his job is interwoven with his failed marriage.

After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.

Old man Repovz recalls experiences of the WWII in an entertaining, comic way rather than tragic. A man breaks his arm to avoid being drafted; the other man shoots fire to scare enemy soldiers; love stories, as well as troubles with forced collectivization took place there. A partisan hero finds out that he lost her fiancee, but somewhat cheers up when his white horse comes back to him...

Two boys, Kekec and Rozle, come to serve a farmer, with a blind daughter Mojca, as shepherds. As the night falls, the two boys start talking about a woman who lives in the mountains and is supposed to steal children. Her name is Pehta. In the morning, Kekec, Rozle and Mojca go to an Alpine cottage and Kekec promises Mojca that he will find her a remedy for her eyes. As the girl is picking flowers, Pehta arrives and takes Mojca into her cottage. She wants to keep Mojca because of her singing.

A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.

Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.

A war disabled lieutenant colonel, who did not make it in the society, after many years of loneliness meets happy woman who loved him in the past, and not forgotten him despite the fact that she married meanwhile.

Breza, a country boy from a godforsaken Prekmurje village, wishes to perform at the village festivities playing his electric guitar, but is faced with fierce competition in the form of a traditional Roma band entertaining the villagers by playing popular folk music. Nevertheless, his music seems to be the key to the heart of Silvija, a village beauty and the daughter of a wealthy gastarbeiter from Switzerland, who was sent home to find a healthy Slovene husband. However, the story of Breza and Silvija only marks the beginning of the plot whose main character is actually Düplin, an eccentric outsider, a deaf-and-dumb tramp or, as Breza's mother, the old Popovka, a farm owner and a fortune-teller also referred to as Strina, called him "a lad from a citrus producing country".

An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.

Tasmania, 1954: Slovenian migrant Melita abandons her husband and young daughter, Sonja. Sonja's distraught father perseveres with his new life in a new country, but he is soon crushed into an alcoholic despair, and Sonja herself abandons him at the earliest opportunity. Now, nearly 20 years later, a single and pregnant Sonja returns to Tasmania's highlands and to her father in an attempt to put the pieces of her life back together.

The movie based upon the classical Slovene novel Martin Kačur, depicts the clash between the teacher Martin Kačur and his conservative environment. Due to his progressive ideas, he is transferred to a small town. The village environment is even more depressing than his former surroundings were, as the influence of both the secular and the Church authorities is even greater in the country. Even though Martin meets Tončka and the two of them get married, he gradually becomes a disillusioned and embittered man. In time, when society's strictures become somewhat milder, Martin is transferred to a more friendly environment, but all the injustices he has experienced have already bitten too deep. Unlike his wife, Martin finds it very difficult to accept changes. When his son dies, it seems as though he has lost all his elan and the will to live. Will he be able to go on bringing the light of knowledge to the ignorant masses, or will his ideals be buried forever like a man in a snowdrift?

After cheating on his wife with a prostitute, Peter must try and forge ahead with his idyllic family surroundings while carrying the guilt, but that doesn't stop his wandering eye or the temptation to do it again. Meanwhile, his wife Katarina receives mysterious text messages that might be indicative of her own indiscretions. As the two drift further apart while living in secret, their teenage daughter takes after their behavior while exploring her own sexuality, careful not to divulge too much information to her parents. A portrait of a family in a constant state of calm before the inevitable storm of discontent and discovered lies.

The film is based on a novel by Ivan Tavcar and was adapted for the screen by Andrej Hieng. It is set at the end of the 17th century in the area that is now Slovenia at a time of religious intolerance with Amandus, a Catholic priest, determined to persecute local Protestants.

Two girls who study theatre & drama and their friend photographer decide to rob a bank, using all sorts of their creative force and imagination to implement the idea.