P(l)ain Truth

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Artist Mura Schilderink faces her biggest challenge ever when she has to submit a masterpiece for the beginning of spring in Fablefield within one day.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

Bhanu, a high school teacher, wants to transition as a trans woman while working for a school in a small town in South India. Bhanu’s parents do not know that she is already taking hormone treatment for the transition. When her parents force a marriage upon her due to their financial situation, Bhanu gains courage under pressure. She starts to live as a woman named Bhanu with her friend Haritha's help. The school administration creates problems by not acknowledging Bhanu as a woman. As Bhanu struggles to find happiness after transition, she meets a student Karthik who is being bullied by his classmates for his feminine demeanor. Unable to withstand the bullying, Karthik retaliates by wearing makeup and nail polish to school. The school administration blames Bhanu for all the problems. How Karthik and Bhanu deal with the problems form the rest of the story.

After finding an odd envelope, Policeman Ming-han's life takes a spooky turn: He's now wed to a ghost husband, and they must solve a crime together.

An aging hairdresser escapes his nursing home to embark on an odyssey across his small town to style a dead woman's hair for her funeral, rediscovering his sparkle along the way.

Mike, a young hired hand in California is working a small farm with a close friend, Dan. Mike is content on the farm and obviously attracted to the handsome Dan. Dan seems to be attracted to Mike as well but is a drifter and not happy as a farmer. He longs to finish out the contract and move on to a big city, perhaps with Mike. Gary, a boy from the next farm over, befriends them during their daily chores. When an innocent session of skinny-dipping is misconstrued, the young hired hands soon find themselves unjustly suspected of wrongdoing in a suddenly hostile small town.

The first homosexual love story themed movie to receive approval for theatrical release in China. The film follows the initial meeting of, and the subsequent secret relationship between Zhao Jie and Rohmer. They decide to travel to Tibet together. During their travels they are involved in an incident which leads to the death of a child. Although they are not responsible, they feel a lot of guilt. They quarrel about it and end up going separate ways. Later Zhao Jie learns that Rohmer has been in an accident on a glacier and, torn with remorse for not having helped him enough after the earlier incident, Zhao Jie goes to find him.

It's 1992. Martin is 17 and he films his daily life with his Hi8 camera. He films anything and everything—his room, the world around him... But never his father, the thought doesn't occur to him. One day he meets Dominique. He's 23 and works as a student monitor at Martin's high school.

Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.

A queer femme dominatrix huffs a magic aerosol can and develops the ability to speak to the dead.

Sex is power, and Waseem, a Syrian gay-for-pay hustler seeking asylum in Cologne, wields it like a shield. Keeping his johns at an emotional arm’s length while satisfying their most carnal desires in order to eke out a living, he meets his match in Lars: a kind, affluent professional with a growing personal interest in Waseem. This gripping tale of transactional identity explores the tactical exchange of trust and intimacy in a partnership, and the divisions between immigrants and their host countries in contemporary Europe.

Following his son Gabriel’s death, Jorge travels from conservative Bolivia to New York City to confront Gabriel’s boyfriend Sebastian. While the two battle over Jorge’s inability to accept his son, Sebastian channels his grief into a bold new play in honor of his lost love, in which Gabriel’s inner turmoil is transformed into an eye-popping gay fantasia.

The eponymous garçonne or flapper is Monique Lerbier, an emancipated French woman who leaves home to escape a marriage of convenience to a man she does not love which her parents have forced on her. She then falls into all sorts of carnal temptations and artificial pleasures previously unknown to her. These include her being seduced into a lesbian love affair by a chanteuse.

In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.

A short film about Philip who dreams of becoming a model. At a casting he gets the chance to be photographed with the well-known model Sebastiaan; they fall in love. During the photo shoot, Philip pushes his limits more and more in order to keep the photographer's interest. Philip and Sebastiaan lose control of the situation when Philip is doing everything he can just to be able to stay in front of the camera.