The Chechahcos

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Dorothy and the Scarecrow are now in the Emerald City. They have become friendly with the Wizard, and together with the woodman, the cowardly lion, and several new creations equally delightful, they journey through Oz -- the earthquake -- and into the glass city. The Scarecrow is elated to think he is going to get his brains at last and be like other men are; the Tin-Woodman is bent upon getting a heart, and the cowardly lion pleads with the great Oz for courage. All these are granted by his Highness. Dorothy picks the princess. -- The Dangerous Mangaboos. -- Into the black pit, and out again. We then see Jim, the cab horse, and myriads of pleasant surprises that hold and fascinate.

Part 10 of Alexandre Promio's Passion Play, in which Jesus is nailed to the Cross.

The Last Supper, part 6 of Alexandre Promio's Passion Play.

Directed by Alexandre Volkoff, 1924

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

In English known informally as "The Half of a Boy" and "Stepmother". Based on the novel by Kálmán Mikszáth. After his wife's death Gáthy Lörinc (in Serbian version: Mr. Wickfield) remarries and in secret he takes his son born from this second marriage to the same foster parents who take care his first son born from his first marriage and left without mother. Five years later, when both boys return home, his wife does not know which is her own child, and which is the child of the previous wife, so the husband's desire is fulfilled, his orphaned son doesn't have step-mother, because his wife loves both boys equally, as her sweet children.

As the only survivor of a battle, a cavalryman heroically defends his flag.

This one is modelled on the painting by Paul Delaroche and is an extension of the stage act known as “tableau vivant”.

At a military demonstration Red Imps: Misha, Duniasha and Tom Jackson bring a captured enemy, dangerous Makhno.

In a futuristic city, the residents have lost their voices to both the omnipotent Mr. TV and the nameless corporation that runs the metropolis.

A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.

The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.

A sci-fi/espionage film in which world powers vie for control of a death ray during World War I as an undercover countess infiltrates enemy ranks to prevent them from getting their hands on the weapon.

This Gaston Velle movie from 1904 was a fairly venturesome piece of film-making for the era. First, its credits include Jules Verne: his second after the Méliès TRIP TO THE MOON a couple of years earlier. Second, it uses a dozen cuts, irised lenses -- the balloonists' views through their telescope -- panning shots, combined images and tints. The tints were standard for the era, but everything else had to be achieved with great difficulty. In an era when most movies still lasted a minute with a stationary camera and a single set-up, this was pretty much state of the art.

Film based on danish author Henrik Pontoppidan's novel Lille Rødhaette.