Béatrix

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

In 19th century Paris, Bette Fischer, a poor and homely spinster, forms an alliance with the seductive courtesan Valerie Marneffe to orchestrate revenge on her handsome and wealthy relatives.

During the Cultural Revolution, two young men are sent to a remote mining village where they fall in love with the local tailor's beautiful granddaughter and discover a suitcase full of forbidden Western novels.

Adaptation of the Balzac story as told by Rosalie, a young girl in love with the idea of her extraordinary neighbor, Albert Savarus, and the lengths she goes to ensure their marriage, even after she learns he is deeply in love with another woman.

Due to an urgent need of money, aspiring writer Agnes participates in an amateur striptease contest. Her new boyfriend, Daniel, who is a reporter by profession, covers the contest for his magazine.

Nieliskie Christmas

This literary adaptation was one of only two films made during World War II on the subject of the Civil War following the Bolshevik Revolution, as attention by filmmakers and viewers shifted away from past history and toward the current conflict.

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

After he accidentally sparked a revolution against Gretsch, the bossy diva-owl who has banned all music from his town, a teenage squirrel named Wirral embarks on an extraordinary journey to set music free.

Sent on a forced vacation to a five-star hotel, Dr. Dolittle learns from his pet monkey Chi-Chi that an epidemic has broken out among the animals in Africa. Together with Chi-Chi, he embarks on a journey to Africa aboard a tourist hot air balloon. The duo soon discovers that the epidemic is the work of the villainous robber Barm`o`Ley, who can deny nothing to his young daughter Lea. Barm`o`Ley kidnaps baby animals to stock his daughter’s private zoo. However, after meeting Dr. Dolittle, Lea begins to reconsider her attitude toward animals — and ultimately reforms her father, Barm`o`Ley.

A poor but ambitious young man arrives in Paris and settles down in the boarding house run by Madame Vauquer. He soon gets to know the guests: Victorine Taillefer, a young lady her rich father refuses to recognize; Horace Bianchon, a medical student; Monsieur Vautrin, a mysterious and disconcerting man; Goriot, a rich merchant who spent all his fortune for his daughters, Delphine and Anastasie, to make a rich marriage. Eugène becomes friends with Goriot but while the former, thanks to his cousin Madame de Beauséant, is introduced in high society, Goriot, both exploited and scoffed at by his daughters, continues his descent into hell.

Adaptation of the famous Balzac novel

In the Garden of the New People's Theater Overview They wanted to create a theater that reflected their own vision, a freer theater, closer to its audience. So they built a wooden stage under the benevolent shade of a twisted church steeple, in the garden of a small village in Maine-et-Loire, Fontaine-Guérin. And the dream of a New People's Theater took shape amidst the fields. This is the story of a generation of actors in their thirties who have grown old together and who, ten years later, are realizing the audacity and fragility of their dream. For its tenth season, the company tackles Balzac's *Human Comedy* and plunges us into the torments and illusions of their lives as artists through the outlandish tale of Lucien de Rumbempré, a young poet who dreams of going to Paris. How can an artist avoid losing their soul? Therein lies the inner conflict. Xavier Liébard Director, Writer

After the Death of His Father, Tom Navidson is Advised to Film His Day To Day Life. The Following Recordings Reveal the Mystery of the House and the Thing that Lives Beyond its Walls

Collective video and performance work based on the book by John Berger and John Christie, I Send You This Cadmium Red. The video creation was made following a series of instructions generated by the group: each member of the Neofòbia collective made 45-second vertical films about previously agreed colours and sent them every 15 days at a specific time. It was not edited except to group the successive submissions into a triptych and play with random placement. No hierarchy is established and there are no individual authorships, only those of the collective. All decisions are made horizontally.

When Kentucky plantation owner George Shelby is forced to sell several of his slaves, one of them, Eliza Harris, escapes across the icy Ohio River with her child. Kindly old Uncle Tom, however, is sold to a Southern slave trader and begins his voyage down the Mississippi River. During the trip, he rescues little Eva St. Clair from the river, and out of gratitude, the girl's father buys him.

Two sisters have their last conversation before one of them leaves the family home.

Piranesi's house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls, an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense; a letter in her own hand may prove her undoing. Producer's Showcase Teleplay.

Poor and tired, Amaro finds himself in the need of moving. Along the way he takes part in conversations that make him reflect on his changing position in society and on the anxieties of a young adult.