Secret Ink

Patriot Game 2 - To Call a Deer a Horse

Vancouver s two leading authorities on sexism in the school system, Linfa Shuto and Reua Dexter, relate their opinions on the problem and some solutions that they are working on. The tape also includes a short historical look at women s position in education and a critical discussion on sex stereotype roles by Grade 6 students.

A video essay using images and interviews to critically explore the history and current role of pornography.

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. Her works and her influence are examined in this detailed video portrait.

This documentary goes back to the turn of the century to show how women shaped the nation’s history.

Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.

A bunch of Vancouver dykes take hand held hi8 to new heights. In this improvisational short, which offers a wake up call to political complacency. Short on plot, big on subtext. Amidst comic moments these intrepid lesbians go searching for political dykes. What else can you do when the lesbian centre becomes a tattooparlour?

The short film is based on an investigation by Dino Buzzati. It tells the story of Melinda, a mountain girl turned into a witch by her environment and circumstances. In September 1965, Buzzati travelled to Abruzzo (near Teramo, at the foot of the Gran Sasso) on behalf of the newspaper Corriere della Sera, seeking stories for his investigative series titled "I misteri d'Italia" (The Mysteries of Italy). There, he gathered the story of Melinda, a real-life woman (who died in 1962 at the age of 93) regarded by the local community as the last true Abruzzese witch. Buzzati described Melinda not as an evil being, but as a woman victimized by fate and superstition. While Buzzati was fascinated by the magical and mysterious aspects of her tale, Lù Leone reinterpreted the same story in 1976 through a political and feminist lens.

An exploration of how the once taboo art form has become socially acceptable.

It is year 2011 and the government still talks of economic growth through medical care under the table. In reality, common people cannot afford to go to a hospital. They are nothing but extra casts in a promotional film for showing. The reality is a white jungle where medical care has become the market of extreme commercialization and doctors and patients are just too familiar with the physiology of jungle life. New rules and regulations must be practiced in this jungle. The film finds a solution by looking at medical care not as a personal means of production but community welfare.

Japans tätowierte Helden

A cafe is growing, tucked in to the mountainside air raid shelter of the DMZ borderlands. A light light flickers, illuminating the past, present, and future. I'll see you at the DMZ! Shim was a free, one-day pop-up cafe staged in Yangji-ri village’s air raid shelter at the Korean DMZ. Referencing Korean cafe culture’s fixation on third place, the DMZ’s evolution from security tourism, to ecological peace tourism, and its repurposing as art production site, Shim attempts to intervene and align the past and present. Yangji-ri was one of many minbuk propaganda villages established by the Park Chung Hee regime in the 1960s to showcase the farming bounty and prosperity of the south for a North Korean gaze. The village was formerly part of the Civilian Control Line (CCL) until 2013 when it was reterritorialized as a normal part of South Korea.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

Documentary consisting of archival footage that depicts the evolving conditions of Italian women during the first half of the 20th century.

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.

A documentary that proposes a conversation about the way children are praised. While girls are often praised solely for their appearance, boys can receive compliments by highlighting their skills. "Rethink the Praise" reflects on the power of words and culture that has brought an imbalance in the way we commend our boys and girls.

Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.

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Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear?

Crossroads explores the ever changing face of South Korea since the Sewol ferry disaster that tragically killed 304 people, mainly schoolchildren, in April 2014. The film takes us on a journey through Korean modern history exploring the changes the country has gone through since April 16th 2014, encompassing emotional re-enactment narrations from survivors, interviews with family members, activists, historians and the general public, as we go in search of how Korea came to yet another crossroad in its history.