Star Night at the Cocoanut Grove

Feature compilation of four Biffle and Shooster comedy shorts--"The Biffle Murder Case," "Imitation of Wife," "Schmo Boat" and "Bride of Finklestein"--plus five additional songs and sketches.

The film follows the history of a brooch after it is given as a present by a man to a woman in 1911.

“Sonic artist” Chris Cree Brown discusses composing with new media and how he orchestrates particular sounds into formal compositional structures. Some sounds are made instrumentally, while others are recorded from his environment. In 1980 few classically-trained musicians in New Zealand experimented with synthesized sound and the gloriously large and sturdy equipment Brown uses to create his music will be of sure anthropological interest to many musos. The documentary was recorded with no script to capture the true art of creation.

Donald Hardwick (Dick Powell) is a stuffed-shirt, classical music professor. His family and small-town music college that he works are of equal mindset. When Don visits his black-sheep aunt in New York in order to find a buyer for his Rhapsody he is exposed to her shocking swing music crowd. His life begins to make dramatic changes after drinking a "lemonade" that turns out to be a Hurricane.

The American Beauty Association is about to hold its annual trade show in New York City and songwriter "Tiny" Lewis (Billy Gilbert) has just sold a song to Ina Ray Hutton ('Ina Ray Hutton'), the leader of an all-girl band headlining the show. Lewis shares an apartment with Bradley Miller ('Ross Hunter') and Michele (Fritz Feld), an artist, and Miller has just invented a non-staining lipstick called "Rosebud." Preparing to get a booth at the show, Miller is told by J. Webster Hackett (Alan Mowbray), a very devious "Cosmetics King,", intent on selling a big lipstick order to buyer Edgar Pomeroy (Thurston Hall), that it will cost him a $1000 to join the association and get a booth, which is about $999 more than Miller and his roomies have between them. But Miller's beauty-parlor girl friend, Janet Wilson ('Ann Savage'), meets factory-owner P. G. Grimble (Hugh Herbert), and money is soon no issue.

A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer

A metalhead gets passed down a satanic guitar that riffs to shreds.

Monte Cristo

The show starts when Colloredo is named successor to the Prince-Archbishop of Salzburg. The new king is an austere authoritarian man which is insensitive to the music of Mozart and allergic to the enthusiasm and the impertinence of the character. For Mozart, Salzburg's life quickly becomes untenable. He was 20 when he decided to leave his hometown with his mother in search of a better future in a European capital. The journey of the composer will be made of failures and cruel disappointments. But at the end, Mozart will experience glory, love, rivalry before its ultimate fall and misery. He left his best work, the Requiem, unfinished.

Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.

"Swing cat" Louis Prima and his jazz quartette play songs and accompany featured singers and dancers.

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

Los Angeles 2066AD: The Pleasure-U BioDrone, Kate Shaw's only assistant, has contracted an undiagnosed mental-disease.

A group of feisty, talented young performers pool their resources and buy a dilapidated theatre to showcase their acts – but unscrupulous property developers also want the theatre and resort to dirty tricks to disrupt the first night's performance!

A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present and Future.

A music documentary about Olivier Messiaen's transcendent masterpiece, that he composed in a World War II prison camp, and debuted there on January 15, 1941. This film was completed on the 75th Anniversary of that historic premiere, and features "The President's Own" United States Marine Band Ensemble performing in rehearsal and at The Phillips Collection, in Washington, D.C. (Note by H. Paul Moon)

Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.

Sophie, a young psychology major, finds herself kidnapped and thrown in a crazy wild battle royale game filled with musical serial killers, each of who have their own reason for killing. Now Sophie must do her best to survive the game and avoid being killed.

Animated interpretation of the Bizet opera, second in a trilogy.

Animated interpretation of the Bizet opera, first in a trilogy