Same Guy

Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his "special" gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.

A group of beavers ask Dr. Dolittle to save their habitat from loggers. The only hope is to get the forest preserved because it's the home of a protected bear, but there's a problem: the bear's the only bear in the forest, so she can't reproduce. Undaunted, Dolittle persuades a circus bear to help out, but he has to teach him not just the ways of the wild, but the wiles of lady bears too.

A young man comes home for the holidays and tries to reconnect with friends from his past, only to realize he isn’t ready to face the version of himself he used to be.

“Hallelujah” is a queer/circus concept about religion and the importance of choosing kindness regardless of our differences or beliefs. Religion is a tough subject for many in the LGBTQ community, and this piece is a reflection of the struggle and rejection we often feel. It tells the story of an individual troubled by the hate in the world and his partner who is fighting to lift him up, to remind him he is beautiful exactly how he is. My message is that religion should inspire more kindness and open arms, even towards those you may not understand.

At Apple Music, the new album is accompanied by a short film directed by Singh Lee, highlighting multiple songs from the new project as part of an Apple Music Film Edition of Imploding the Mirage.

SETLIST: Iowa 742617000027 (sic) Eyeless Wait And Bleed Get This Before I Forget Sulfur The Blister Exists Dead Memories Left Behind Disasterpiece Vermilion Everything Ends Psychosocial Duality People=Shit Surfacing Spit It Out

A singer is involved with two women in his life, one a "good" girl and one a "bad" one."

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.

"Hardwired... to Self-Destruct" release live session for 850 fans at House of Vans, London, England and streamed online via Youtube on November 18th, 2016. Kirk Hammett's Birthday. Setlist: Breadfan (Budgie cover) / The Four Horsemen / Battery / Sad but True (Kirk's solo ended by 'Prowler' riff) / Fade to Black / Atlas, Rise! / Harvester of Sorrow / Moth Into Flame (Rob's solo) / One / Master of Puppets / For Whom the Bell Tolls / Enter Sandman / Whiskey in the Jar (cover) / Hardwired / Seek & Destroy

David Bowie Live At The Spot-Live From The 10th Spot,Capital Theatre,Port Chester,New York,USA,1997-10-14-pro-shot (47 minutes), songs are: 1. Quicksand, 2. Jean Genie, 3. I’m Afraid of Americans, 4. Look Back in Anger, 5. Scary Monsters, 6. Little Wonder, 7. Fame, 8. Hallo Spaceboy, 9. All the Young Dudes.

Marilyn Manson performing at Ozzfest in Toronto, Canada in 2001.

In the early summer of 1980, eleven-year-old Hanna and the rest of her childhood band aim to bring criminals to justice when a threat to destroy the last dance of school comes their way. Their ensuing adventure pits good vs. evil and disco vs. punk, and ends with love and unity conquering all.

When a Tango dancer asks a Rabbi to enter a dance competition, there’s one big problem—due to his Orthodox beliefs, he’s not allowed to touch her! But the prize money would save his school from bankruptcy, so they develop a plan to enter the competition without sacrificing his faith, and the bonds of family and community are tested one dazzling dance step at a time in this lighthearted fable.

A calamity at Dante and Randall's shops sends them looking for new horizons - but they ultimately settle at Mooby's, a fictional Disney-McDonald's-style fast-food empire.

Jools Holland takes a personal look at the historical influences that have helped to create the sound of London. His journey takes him back to Roman times, and then forward through history until the present day, taking in well-known landmarks, pubs, music halls and more recent venues such as the 100 Club. Archive film footage is interspersed with contributions from performers such as Roy Hudd (comedian and music hall expert), Lucy Skeaping (of The City Waites ensemble), Eliza Carthy (folk musician), Sterling Betancourt (steelpan pioneer), Danny Baker (DJ and presenter), Ray Davies (of The Kinks rock band), Paul Jones (of the Manfred Mann pop group), Joe Brown (rock and roll singer), Suggs (of the Madness ska band), and Lisa Hannigan (Irish indie folk singer).

Sequel to Sanju Weds Geetha (2011).

Jimmy "The Tulip" Tudeski now spends his days compulsively cleaning his house and perfecting his culinary skills with his wife, Jill, a purported assassin who has yet to pull off a clean hit. Suddenly, an uninvited and unwelcome connection to their past unexpectedly shows up on Jimmy and Jill's doorstep; it's Oz, and he's begging them to help him rescue his wife, Cynthia.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.